We were lucky enough to see it in person at Skate America. It was amazing and brought the house down.I also think Kevin Aymoz' Bolero this past season was EXCEPTIONALLY nice.
Golden Skate's Keira Hilbelink article by Paula Slater was published today (May 26) and includes her 2024-25 program music:Article on the 3 Hilbelink skating sisters (at 13 Keira is the youngest one):
Tia, Maile and Keira Hilbelink are a trio of elite skating sisters
Tia, Maile and Keira Hilbelink are a sisters and are all elite figure skaters training with 9-time U.S. Nationals competitor Sean Rabbitt.figureskatersonline.com
Clip of Keira attempting 3Lz 3 years ago to landing 3Lz+3T now: https://www.instagram.com/reel/C6FXWWzvdVW/
I wouldn’t agree that Michelle didn’t care about the choreography. I will agree that Kevin’s rendition was exceptional.Michelle was 24 when she skated to Bolero... but maybe she was too injured / busy COP-element chasing to care about music and choreography.
I also think Kevin Aymoz' Bolero this past season was EXCEPTIONALLY nice.
I think she cared a lot, but her body didn’t move in the same way Chris’ did, so a lot of the subtlety was gone by the height of the season.I wouldn’t agree that Michelle didn’t care about the choreography.
Can't agree with this at all. Kwan's camp wasn't really reading the IJS rules that much; remember at Worlds - end of season - she received a level 1 IIRC on the spiral sequence in the QR because she didn't hold each position for 3 seconds? I think most of her spins were level 2 at best and she probably even received some level 1's, also, so are we suggesting she put all that spin work in, took all the choreography out, to ultimately get level 1's? Well okay.The initial version of Kwan's Bolero had several spins that might not even have been level 1. So I think it was attempting to get those levels up that took up so much more time. That caused the choreo to go bye-bye.
I love the flirtatious opening of the program. Was very disappointed when that portion was removed. I do wonder how much of Dean's actual choreography she was doing here though; The final SLF didn't seem very Dean-ish - It felt more like Morosov's work from the previous two seasons. I also love the lavender costume here. The gold outfit at Nationals and World aged her and made me think of later years Imelda Marcos (the youngsters on this board will have to google who that was, LOL.)I believe Michelle's original choreography of Bolero at 2004 Campbell's was the best. She then tried to improve that version, but it wasn't as good as her original choreography.
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Actually quite like several parts of it.I believe Michelle's original choreography of Bolero at 2004 Campbell's was the best. She then tried to improve that version, but it wasn't as good as her original choreography.
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I think there was probably more? (I don't know her history of injury) But watching the Campbell's version and the worlds version here, I think you're onto something:The initial version of Kwan's Bolero had several spins that might not even have been level 1. So I think it was attempting to get those levels up that took up so much more time. That caused the choreo to go bye-bye.
It is your birthright as an AmericanI love a good old-fashioned kwan-fight during the off-season
I must be the worst type of American. Michelle was never my diehard fave. I appreciated her talent and she was, quite often, the class of the field but my heart belonged to Sarah.It is your birthright as an American
You get no disagreement from me, you could literally be like "MICHELLE'S FIVE WORLD TITLES, SUCK IT FANYUS" but noooooooooooI must be the worst type of American. Michelle was never my diehard fave.
Yes. At the time I was reading the rules very closely and was convinced that she COULD do these COP elements. She was doing these features on and off in different programs but never altogether in one program (I suppose that's the challenge ). She wasn't as flexible as Irina or Sasha and she wasn't as good a spinner as either, and she was heavily injured, so we all kind of knew it wasn't going to happen with the spins. By 2005 Worlds (her only COP comp) I believe she was aiming for level 2 spins and steps, and level 3 spirals. If she had held that outside camel or the bent knee variation for a tad longer, she would have gotten level 2 on it and very, very close to the bronze. But it was obvious that by that time the judges were no longer with her and FFS she went clean in the short and still lost to Irina and Sasha who had a visible wobble each.I think her body simply couldn't adjust to a sudden increase in complexity later in her career. By the end, that program could've been skated to any music but it surely wasn't matching the rise in Bolero.
Well, I think she did it a little better when she competed at the 2002 Hersheys Kisses Challenge. It looked pretty good compared to some other skaters I've seen do the fan spiral. But that's just me.IIRC, the way she did the fan spiral in Fields of Gold would not have counted as a difficult variation because the leg was too low. It would have just counted as a basic BOE spiral. Or maybe what I'm remembering is that she wouldn't have received credit for the change in direction because her leg dropped below hip height when she changed directions.
It's a shame USFSA didn't connect with Jackie Fie or other USA Gymnastics officials to learn how to "work" the process behind the scenes in 2003 and 2004. Perhaps they could have minimized the excessive over-rewarding of flexibility from the beginning. Looking back at those early COP years, if you were flexible, you could clean up. If you weren't, you needed others to make mistakes.
The US's upcoming top skater in that period was Sasha Cohen...It's a shame USFSA didn't connect with Jackie Fie or other USA Gymnastics officials to learn how to "work" the process behind the scenes in 2003 and 2004. Perhaps they could have minimized the excessive over-rewarding of flexibility from the beginning. Looking back at those early COP years, if you were flexible, you could clean up. If you weren't, you needed others to make mistakes.
And you don't NEED to watch it to begin. You can watch the Bolero performance (which happened 3 years later and many things can ruin your body in that time span), and see how insecure she was on that position, she quickly dropped out of it.IIRC, the way she did the fan spiral in Fields of Gold would not have counted as a difficult variation because the leg was too low.
I wish they'd given Kwan advice on how to achieve the full level 3 on steps. She was probably the only one during this era apart from Arakawa who had solid enough skating skills to be achieving it - so it's a pain for me to see her getting the same level as Cohen and Slutskaya in the free lol.It's a shame USFSA didn't connect with Jackie Fie or other USA Gymnastics officials to learn how to "work" the process behind the scenes in 2003 and 2004. Perhaps they could have minimized the excessive over-rewarding of flexibility from the beginning. Looking back at those early COP years, if you were flexible, you could clean up. If you weren't, you needed others to make mistakes.
Sonja Hilmer’s FS music and costume reveal: https://www.instagram.com/p/C6Mj3gDxdLj/
New things for the new season
So excited to share the complete package for my new free program! As usual, this program is self choreographed and the dress self made. My music is a 70s/disco medley inspired by the tracklist from @argyllemovie
"You're The First, My Last, My Everything" by Barry White >> "Now and Then" by The Beatles >> "Electric Energy" by Ariana DeBose, Boy George, and Nile Rodgers (with transitions from the OST )
Work in progress reel for making the dress will be out soon!
Sonja was one of the many figure skaters who participated in the Argylle movie (Ben Agosto & Katherine Hill choreographed the skating set piece near the end of the film). ETA that @Wyliefan linked to Agosto's and Alexe Gilles' Instagram posts back in February in the now closed 2023-24 Dance Hall thread: https://www.fsuniverse.net/forum/th...n-on-up-2023-2024.110662/page-35#post-6553221
Hilmer also has choreographed training mate Michelle Lee's SP to "Villain" by Stella Jang. Lee placed 15th in Senior at 2024 U.S. Nationals (she was in the ISP last season) and last week posted this short clip of them skating the SP together:Sonja has posted her “making the [FS] dress timelapse number 1” video:
Sonja Hilmer on Instagram: "As promised, making the dress timelapse number 1! For my free program, I used gold glitter spandex and beige spandex (appliqued) from Joann Fabrics and burgundy yoga stretch from KikiTextiles. I also ordered some really n
302 likes, 9 comments - gosanjaygo_03 on April 25, 2024: "As promised, making the dress timelapse number 1! For my free program, I used gold glitter spandex and beige spandex (appliqued) from Joann Fabrics and burgundy yoga stretch from KikiTextiles. I also ordered some really neat gold clasps...www.instagram.com
Sonja Hilmer’s SP music announcement today - "Unforgettable" covered by Sia, self-choreographed as usual (footwork clip):
Sasha was, is- and always will be- unforgettable...a (divine) feather from heaven (in human flesh)The US's upcoming top skater in that period was Sasha Cohen...
Too bad about the shingles thoSasha was, is- and always will be- unforgettable...a (divine) feather from heaven (in human flesh)
At least Sonja is going for something soft and mellow…not Avatar/Wonder Woman/Hero of the Planets.
How does someone listen to that tortured, vocal gymnastics evisceration of a classic and then decide, "Yup, I'd like to listen to that multiple times a day."?
FS: "a variety of songs from the animated Disney movie, Beauty and the Beast"
Choreographers: Sean Rabbitt and Mari Malama