So these are about 4 interesting topics:
-Stand out programs by non-star teams in big clubs.
-Different choreographers within the same club.
-Programs that stand out as being "different" from a particular choreographer's main body of work.
-Teams that take on responsibility for artistic choices (be it music or choreography) and how that often develops as a team matures and/or requires more of a challenge or unique look in order to stand out among the elite.
I could probably go on & on about all of them, but what I want to talk about even more is a different phenomenon: What happens when you are already a top team with a strong fan base and you break out of your "typical" style.
Here's what I often see: Your non-fan base loves it. Your traditional fan base doesn't. I remember reading a comment by
@VIETgrlTerifa one time saying that though she never liked Grishuk & Platov, she did appreciate their Fred & Ginger FD.
As a G&P fan, I'd say Fred & Ginger is probably way down on the list of programs for most Grishuk & Platov fans. It wasn't particularly unique. It was right after T&D's Fred & Ginger and Moniotte & Lavanchy's. It was during the "toe-tapping rhythms" rule period when we, therefore, were inundated by Fred & Gingers. And Grishuk & Platov were out all season due to injury so they only performed it internationally the one time at Worlds and didn't have the chance to polish up the performance. Not anywhere near their best, IMO. But apparently, that was not the response of someone outside the fandom.
I had the same feeling last season with my own personal reaction to Papadakis & Cizeron's SD. I really liked it. Absolutely my favorite program by them since their Finnstep back in 2014. This definitely seemed to be the opposite reaction to most P&C fans, who largely seemed to feel like it was P&C's weaker program for the season. My guess is that most P&C fans do not consider it to be one of their "Greatest Hits." But
I really liked it. It drew from a different fan base.
So here, in a nutshell, is the challenge for established dance teams when they break out of their own personal box.
How do you stretch and develop that
new fanbase without being inundated by disappointment from your typical fans? How do you make it through those first difficult months when of course the scores are down due to the programs lacking polish and get those programs into the home stretch? And how do you have the guts to keep going after something different long enough to make it sing? Quite a challenge. I admire the teams that work at it, make the program stronger as the season goes on, and surprise us all by eventually mastering a style or program that we may not have loved initially.
(And sometimes

, I really just wished they had chucked it before they ever selected the music in the first place).
Quite a challenge.