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As Sylvia points out, both teams chose Einaudi's Experience, but incorporated with different music (for Knierims, original music composed by Maxime Rodriguez in the middle, and for C-G/LD, selections from the movie, Moonlight). This has been known since the off-season, if you follow the new Programs thread and/or keep abreast of the skating programs/choreographers chart generously compiled by Sylvia and Claire.
There are some other international pairs who are using Einaudi's Experience this season, and it has often recently been used in figure skating (by ice dancers, e.g.).
Ash/Timothy use music from Moonlight for the first half of their program to set the mood, and then Experience for the second half:
Ashley CAIN GRIBBLE / Timothy LEDUC USA Free Skate 2019 US Int Figure Skating Classic
Ashley CAIN GRIBBLE / Timothy LEDUC USA Free Skate 2019 US Int Figure Skating Classicwww.youtube.com
The Knierims have a lovely program that expresses a different more lyrical mood and feel, with the special music by Rodriquez enhancing other aspects of Einaudi's Experience:
YouTube
www.youtube.com
I would reference Ash/Timothy's approach as more modern and edgy (tone is set by the opening Moonlight techno-inspired violin music and the gorgeous, complimentary dark costumes). The Knierim's, Richaud's and Rodriguez's take is romantic and lyrical, with a bit of a contemporary balletic aesthetic. I like the way Richaud (the Knierims' same choreographer from last season) has taken them in a softer, romantic direction, but still with some edge and innovation.
I also appreciate how Alexa wears beautifully-designed skating dresses for both programs which works quite well (when the trend has been catsuits for ladies). In fact, Alexa wore a catsuit (or jumpsuit) in her sp last season. It's cool to switch things up from the general trend. Not that well-designed catsuits don't also work with the right approach and concept.
It does amaze me though that these 2 pairs skate to the same music in a much different way: CG/L showcase choreography and theater, and SK/K showcase power and amplitude, both to great effect.
Watching them, I recall during Lillehamer in 94 the commentators talked about how different M/D and G/G were in how they presented, but were equally effective. Not that the American pairs have achieved what these Russian pairs have, but the idea of it.