And Pap/Ciz are infinitely more nuanced, folding every note of music into their movement, displaying a vastly more sophisticated combination of pliancy and strength. A former professional ballet dancer acquaintance that year said she was immediately hooked just watching the opening criss-crossing of the arms in P/C's Beethoven program. And it's also telling it was choreographed by a classically trained dancer who also does his own excellent contemporary works. A whole different ball game.
The comparison is only in jest.