Look, all respect due to Vincent Zhou. He was thrilling at Junior Worlds because politically he was not being favored to win. He went out there grit and all and he could not be denied, as others faltered one-by-one.
Still, it's not a contradiction nor dislike of Vincent and his humongous talent to say that he struggled through the Skate Detroit free program. In fact, he did. Obviously, it wasn't a horribly bad struggle during the off-season. But it was a struggle on more than one level. I agree with observations I've seen elsewhere about the music in the fp eating up and overwhelming him.
Vincent's
'Chasing Cars' sp works so much better, but I think there's a problem with the fp music and the way the program is set up. If in fact it's true that Vincent and his team considered several music selections but had already set up a skeleton program, and then just decided to pick one of the music selections to go with the program that had been laid out, I'm skeptical of that process. This
Romeo & Juliet music demands more soulful involvement & interpretation, which Vincent is not able to give to it, either because of the focus on multiple quads, or because he's not yet fully tuned into the music, or the music is a bit overwhelming for him at this stage of his maturity. Whatever it is, IMO, it is not working. Last season, when Vincent's team realized his sp was not working, they fixed the problem by scrapping it and getting a new one to
The Writing's On the Wall. And that worked out much better for Vincent, even despite Jason Brown already having a sp to the same music.
Same for AdaRipp last season. When he realized he was not getting the points he needed nor positive reviews for his initial fp, he listened to people he trusted around him, and to his own heart, and possibly to words of support from well-meaning fans, and he went for the program he had really wanted in the first place. His choice to adapt
Flight of the Birds /'O' number which was formerly an exhibition, into a fp was a brilliant masterstroke. It worked beautifully, and Adam is bringing it back for the Olympics season. A great decision!
In regard to Vincent and quad bonanza, let's see how the season unfolds. Vincent at this stage is a bit less mature than Nathan. Plus this will be Vincent's first full year as an international/national senior, and his second year as a national senior. It will be Nathan's second year as a full international/ national senior, and his third year as a national senior. Bottom line, no matter how many quads Vincent performs and how well executed, newbies to seniors do not always get what they are looking for from the judges. Shoma was not given as much credit as he may have deserved his first year as an international senior, and then he was a bit overcredited last season. Everything is in the process of being shaken up largely as a result of Nathan responding to the Writing on the Wall, by Writing His Own Multiple Quad Record History. We have no idea where things are headed, but we can continue to speculate.
I still say that Nathan has more talent up his sleeve than meets the eye, and he's capable of a great deal. Whether or not we will get to see his evolution progress beyond the jumps is something else yet again. This sport tends to keep us guessing. It's always been frustrating and political as hell. I yearningly hold out for unexpected magic, and I take whatever I can get in the way of extraordinary amidst various and sundry delights, mixed with mundane business as usual.