Sylvia
Flight #5342: I Will Remember You
- Messages
- 84,278
Here's Jason's answer regarding a fan's question about his free skate music/program: http://www.youtube.com/watch?v=SYLXq0WVs7o&t=2m35s
Last edited:
Follow along with the video below to see how to install our site as a web app on your home screen.
Note: This feature may not be available in some browsers.
ok....I kept missing him on the practices at SCI- (I was watching livestreaming). When I said practices I meant training home at the rink...not at the competition.
Tracy expected him to do the quad in the long.. She said when commentating ,,,here comes his quad whatever.....which he doubled. If it was not fairly consistent in practice they would not have put it in the program yet.
That looks like it landed forward and would get a downgrade to me.
It just depends. Some skaters get tense at the competition even at the practice sessions and their jumps go to pot.Yes, now I understand. When you are not landing anything on the competition practices, I have to think that the at-home rate isn't very good. I could be wrong, but that's what I'm guessing.
I knew the first time I watched him he would have trouble with 3A's and quads because he has very little spring and no height to speak of.
I have a friend who did the cruise ship thing awhile. He enjoyed it. The pay wasn't great, but the adventures were. They are a public facing role, so he got to go on excursions with guests when there was room. The only "grunt work" was muster drill.
But no one on any of his ships was an Olympic medalist, or even Olympian. They were all just really good skaters who had been juniors or seniors, some without even international experience.
It just depends. Some skaters get tense at the competition even at the practice sessions and their jumps go to pot.
My theory is that Brian wants him to get used to doing these jumps in front of a large audience as part of working his way up to doing them in competition. Doing jumps at a practice session at a GP is a lot different than doing them at home.
What? Have you seen the size of his triple flip?
I agree he jumps big. My impression is that rotational speed is more of an issue, but I haven’t actually spent a lot of time watching him.
His team is saying he is working on starting the rotation sooner. Not on jumping higher or turning fast. So I assume that's the issue.![]()
Excerpted from:Orser, 1984 and 1988 Olympic singles silver medalist, was taught a jump technique that was like climbing onto a step and rotating on the way down from there, which worked fine when triple jumps were the limit. Now he teaches the opposite: starting to rotate on the way up, beginning with the skater having his feet together under him on the takeoff to facilitate the earlier rotation.
Brown said he also is working on head placement and using the core differently than he had on jumps in the past.
In case anyone missed reading it, Hersh's in-depth article on Jason was published before Skate Canada International and the link was posted in other threads but not this one: https://olympics.nbcsports.com/2018...tory-ahead-of-skate-canada-and-2022-olympics/
I love the whole thing, and so did the Eurosport guys. And to whoever called Simon and Garfunkle "muzak", please do some research on their place in rock history. They made masterfully crafted, brilliantly arranged, completely original, unique, timeless, music. I think they are perfect for Jason.I wouldn't be surprised if they chose this music precisely because of the relaxed pace, as a way of allowing him time to focus on the new jump technique. I happen to love the first section.
I love the whole thing, and so did the Eurosport guys. And to whoever called Simon and Garfunkle "muzak", please do some research on their place in rock history.
It's not being unfamiliar with the song that leads to it being called background music, IMO, but that there's not much connection (yet) between the music and the choreography.It's unfortunate that David Wilson didn't really incorporate much opportunity for interpretation in the "Old Friends/Bookends" section, especially given the lyrics are pretty specific. Kind of a missed opportunity, IMO, so I can see why people unfamiliar with the song before this program would dismiss it as "background music".
His team is saying he is working on starting the rotation sooner. Not on jumping higher or turning fast. So I assume that's the issue.![]()
I wonder if his flexibility is an issue with his jumps. Shawn Sawyer was also incredibly flexible, but while he had gorgeous jumps up to the triple lutz, he struggled with his axel (and I don't think ever cleanly landed a quad either).
I loved the program too. There were some things I'd change (maybe start Hazy Shade of Winter sooner) but I love those two songs by S&G and I thought the choreography was interesting, if not possibly executed 100% correctly (a few times it seemed off from the music).I love the whole thing, and so did the Eurosport guys. And to whoever called Simon and Garfunkle "muzak", please do some research on their place in rock history. They made masterfully crafted, brilliantly arranged, completely original, unique, timeless, music. I think they are perfect for Jason.
Is it possible that maybe he already has reached his potential?
The music cut between Old Friends and Hazy Shade of Winter is downright jarring and I don't understand the thought process that put these two songs together.
If David Wilson wanted a Simon & Garfunkel song, I could see him doing a great job with Sound of Silence or Bridge Over Troubled Water, especially if he can channel his emotions from last season.
I always assumed the ‘Old Friends’ section was Jason’s way of thanking and saying good bye to his former coach, and that the “Hazy Shade of Winter” reflected his move to a new life training in Toronto. IRC his coach Tracy Wilson even mentioned something about him leaving his old friends when she was doing the commentary for this program on CTV.