And if this incentivizes skaters to avoid using ridiculous numbers of cuts...fringe benefit!I'm thinking about ChoBat's RD with its 11 music cuts.![]()
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And if this incentivizes skaters to avoid using ridiculous numbers of cuts...fringe benefit!I'm thinking about ChoBat's RD with its 11 music cuts.![]()
It's an awful situation for musicians, but I wish the blame could go where it's deserved. Almost no skaters make a profit from skating, so it's hardly commerical exploitation and musicians largely didn't care about skaters using music for sport back in times when musicians could make a living from their art in normal ways.
C&B had 11 at Skate America, then were down to eight at NHK Trophy. Today their ISU Bio lists seven. They've dropped four in the middle.I'm thinking about ChoBat's RD with its 11 music cuts.![]()
I think they have it backwards. Skating, gym, freestyle and anything else involving music should set up a purchase pool and notify publishers that their artists would get $X for music submitted to the pool and $Y for every person/team choosing that music. Then, there’d be at least some music pre-cleared, making it easier for athletes who aren’t in a position to request and get clearance.It's really too bad there isn't some kind of international music licensing system that would work for skating and gymnastics (and freestyle skiing?). I suppose it would be impossible to cover all platforms and all artists and all jurisdictions, however.
That’s a great idea.I think they have it backwards. Skating, gym, freestyle and anything else involving music should set up a purchase pool and notify publishers that their artists would get $X for music submitted to the pool and $Y for every person/team choosing that music. Then, there’d be at least some music pre-cleared, making it easier for athletes who aren’t in a position to request and get clearance.
Equestrian dressage and synchro swimming also use music for their programs - maybe the IOC should work with all of these int'l sports feds to support the athletes who need music clearance rights every season and not just at the Olympics when they become the IOC's cash cows.I think they have it backwards. Skating, gym, freestyle and anything else involving music should set up a purchase pool and notify publishers that their artists would get $X for music submitted to the pool and $Y for every person/team choosing that music. Then, there’d be at least some music pre-cleared, making it easier for athletes who aren’t in a position to request and get clearance.
I don't really follow gymnastics, but I know some people here do - that has the interesting feature that women use music for their floor routines, but men don't. If women are required to use music (are they?) and men aren't, is that an equality issue, if music becomes expensive?Equestrian dressage and synchro swimming also use music for their programs - maybe the IOC should work with all of these int'l sports feds to support the athletes who need music clearance rights every season and not just at the Olympics when they become the IOC's cash cows.
Gymnastics is weird in that, unlike figure skating, the people who make the rules for the men and the women are completely separate. Only women make up for the rules for women's gymnastics so I'd guess that they don't particularly take parity/equality into consideration. I'd make the men to perform to music if it were up to me.I don't really follow gymnastics, but I know some people here do - that has the interesting feature that women use music for their floor routines, but men don't. If women are required to use music (are they?) and men aren't, is that an equality issue, if music becomes expensive?
This isn't coming out of nowhere, though. There's just more technology these days to easily identify where music is being used that is copyrighted. I think almost everyone here forgot about Kevin Reynolds' situation in late 2018, where he was notified right before NHK Trophy that he couldn't use the free skate music he had choreographed for the year (and already skated elsewhere, I'm fairly certain). He had to come up with a different program in about a weekend's time IIRC.It's weird how this issue didn't come up when skaters used movie soundtracks with orchestral scores.
You didn't hear about the composer and arranger for Gladiator or Last of the Mohicans when their music was used at the Olympics or Worlds.
Oct. 31, 2018 GSD thread:I think almost everyone here forgot about Kevin Reynolds' situation in late 2018, where he was notified right before NHK Trophy that he couldn't use the free skate music he had choreographed for the year (and already skated elsewhere, I'm fairly certain). He had to come up with a different program in about a weekend's time IIRC.
This isn't coming out of nowhere, though. There's just more technology these days to easily identify where music is being used that is copyrighted. I think almost everyone here forgot about Kevin Reynolds' situation in late 2018, where he was notified right before NHK Trophy that he couldn't use the free skate music he had choreographed for the year (and already skated elsewhere, I'm fairly certain). He had to come up with a different program in about a weekend's time IIRC.
Also, this is just a general statement for the thread- it's not 'oh poor skaters, they are just picking on them'. Instagram and Facebook have technologies built in where if you post a story or video in general with copyrighted music, it will remove it and tell you so. It's picking on everyone. Youtube obviously has the same technology and there are some videos that I cannot upload at all because of copyrights- all countries are banned from using certain pieces, and some aren't even that well-known.
If you’ve wondered why you can watch other sports streaming long after they took place, but in recent years can’t catch up on “artistic” sports—figure skating, gymnastics, artistic (formerly synchronized) swimming, cheer, ballroom dance, competitive dance—beyond a day or so, this is why. Unlike contact sports, those played on a field, track, or court, these sports rely on music to string together required elements and engage audiences—and music copyright is a minefield. Nearly everyone I spoke to, from music-rights lawyers to entry-level coaches, used the words gray area at least once. While not officially his area of expertise, William Tran, a figure skating judge and television production lawyer, has found himself being asked by panicked skaters and skating officials alike how it all works. Is it only elite athletes who should worry? Can local clubs still use music in their annual children’s shows? Is it a bad idea for athletes to post their performances to social media? How does an individual even get access to music rights?
Tran told me just how complicated it all is: Each song can potentially have dozens of rights holders, which include the artists, the writers, and the label. Each one of these must sign off on the use of a song. To make it more confusing, there are different layers of rights depending on how you plan to use the music.
To add to the headache, each of these rights can cost thousands of dollars.
“I think most people don’t understand that figure skaters, we don’t make money performing,” Frazier said. Except for small amounts of prize money for the elite few who rise to the top, unlike sports such as the NFL, there’s no signing bonus that offsets the years of investment. Adding music-rights costs to training and travel expenses is, for many, just not feasible.
Tran and others I spoke to say that even with these added protections, athletes could remain at risk. The real solution will be for Congress to pass an amendment to exempt amateur sports (which accounts for all Olympic sports, among others) from U.S copyright law. And this would still only cover athletes competing in the U.S., albeit one of the most litigious countries when it comes to music copyright violations. But that could take years, and for now, many are left without a clear path forward for sports enjoyed by millions at all levels of accomplishment.
I think this is why things changed. Skaters likely thought that ISU, USFSA, TV broadcasters, arenas had the appropriate catalog licenses. But even if those entities pay ASCAP/BMI fees, it won’t cover indie music or music licensed through other PROs and it won’t cover synchronization or mechanical rights. Skaters did not know this. Also, Elton John can afford to be tickled pink that Nathan Chen used his music. Indie artists need that income.music is also less centralized than in the past. Back then, you were dealing mostly with a handful of big labels. Now we have a lot of smaller labels or artists (like Megan Thee Stallion) self releasing or the music rights going to an individual.
ETA: it’s not just artistic sports dealing with this. There’s a reason you don’t see the Muppet Babies on streaming and, for the longest time, you didn’t see the Drew Carrey show or the Muppet show.
Haguenauer disagreesMaybe this will result in fewer sad female singers and more Malagueña’s, Carmen’s, and Turandots.
A quick fix, some have suggested, would be for athletes to just use classical music, which, when not fully in the public domain, often has fewer—likely less litigious—rights holders. Romain Haguenauer, coach to the 2018 and 2022 world and Olympic ice dance champions, said that if figure skating had to stop using popular music, it would be “catastrophic.”
“I think modern music is good for the audience, and especially for younger fans who can relate more to Beyoncé than [the opera] Carmen,” Haguenauer said. “If that would have to change, it’s like we will go back to the past. And that’s never good for sport.”
Whether or not the IOC does this, I am disgusted with the ISU (and the bigger NGBs) for throwing this back on the skaters. They make money off these broadcasts and should totally use some of it to make sure the necessary rights are secured.Equestrian dressage and synchro swimming also use music for their programs - maybe the IOC should work with all of these int'l sports feds to support the athletes who need music clearance rights every season and not just at the Olympics when they become the IOC's cash cows.
Not every musician or band may have the funds to hire a lawyer for a law suit. It’s not cheap.Artists should be suing if their music is being used without them being compensated. I don't like what Jackie seems to be implying here.
That could result in skater’s using big name artists rather than covers. Big difference in expense of licensing.Whether or not the IOC does this, I am disgusted with the ISU (and the bigger NGBs) for throwing this back on the skaters. They make money off these broadcasts and should totally use some of it to make sure the necessary rights are secured.
Not every musician or band may have the funds to hire a lawyer for a law suit. It’s not cheap.
Good clarification.Overedge's point was that it's inappropriate to blame artists who sue, not that every artist has the ability to sue. I think that is clear if you read the thread referenced.
Yes, in theory.Can an artist allow one skater to use their music but disallow another skater who is lower ranked and “won’t do it justice”?
I remember when I first opened up an account with YouTube that I had uploaded Michelle Kwan's program from 2003 Worlds. Mind you, it's been several years ago. Michelle had used the music, Aranjuez. I imagine most of us fans know that.Can an artist allow one skater to use their music but disallow another skater who is lower ranked and “won’t do it justice”?
How will this work for next season with the aughts party theme? They can’t skate to a classical piece.
Not if either artist is covered by the regular "cover everything" licenses. Also, most of the time when covers are used, it's not a licensing thing as this happened all the time before licensing was an issue. It's because the covers are easier to skate to for some reason (slower, clearer beat, etc.).That could result in skater’s using big name artists rather than covers. Big difference in expense of licensing.
It's not necessarily exactly the same but we have an instance mentioned above where an artistic allowed his music to be used by one elite skater but not another because of the editing of the pieces.Yes, in theory.
ETA: it’s not just artistic sports dealing with this. There’s a reason you don’t see the Muppet Babies on streaming and, for the longest time, you didn’t see the Drew Carrey show or the Muppet show.