ISU rules changes proposals & reaction

Also the wording is pretty much from 3rd or 4th person but the deduction for tano is not something not in debate before. Orser did tell Liza Tursyn that "they do not like many tanos" or so along the line.

I will be greatly surprised if there is negative GOE for tanos no matter how ugly they are. That sounds like wishful thinking.
 
Because footwork transitions aren't always called for in a program? I can't stand when skaters shove as many steps and unnecessary movements into a program in the name of "transitions".

It is not fair to those who have substantive footwork transitions that are choreographed to the music. If you watch Chan, Hanyu, Fernandez, the vast majority of the steps and turns march some aspect of the music down to the note. I can’t think of any woman who does this (and Chan and Fernandez are done so...)so I guess no one is getting cheated there.
 
Hanyu is the perfect example of a skater who always packs his programs with difficult transitions that fit the program. I know he's just an extraordinary talent, but he's the epitome of an IJS skater as there are so few compromises.
 
It is not fair to those who have substantive footwork transitions that are choreographed to the music.
COP is not new. The criteria for Program Component Scores have been posted in links in this forum many times over the years.

Components with Explanations
Transitions/Linking Footwork & Movement Definition: The varied and/or intricate footwork, positions, movements, and holds that link all elements. In singles, pairs, and synchronize skating this also includes the entrances and exits of technical elements. Criteria: Variety Difficulty Intricacy Quality (including unison in Pair Skating and Ice Dancing) Balance of workload between partners (Pair Skating and Ice Dancing) Variety of Dance holds (not excessive side by side and hand in hand – Ice Dancing) Transitions can be short or long, including the use of blade, body, head, arms, legs as dictated by the music. (Minimum use of cross-cuts)
:COP:
 
I disagree about dance. Dance results are seemingly almost always decided by who gets levels and who doesn't...
Yes, but the problem is that even the levels are not always very objective measurement. Depending on whether the couple is currently ‘in’ or not, the level can go up or down. The couples who are favourites are often given benefits of doubt and some others are measured with overly strict or picky criteria, which means that both GOE and PCS are very subjective. For example, there would be a huge difference in skills between 1st and 15th, but there wouldn’t be necessarily much difference between 3-7th or between 10-15th. So the results are sometimes a bit random. Very accurate science of careful counting numbers which are awarded very randomly based on many criteria, such as where the couple is from, who their coach is and whether the judge likes them, rather than whether they are good ice dancers.
 
Yes, but the problem is that even the levels are not always very objective measurement.

Yes the difference in levels in ice dance is not exactly the same as executing a clean triple flip as opposed to a clean triple toe.

A friend of mine learnt how to rate the different jumps just watching one flight of ladies for the very first time. The average punter could watch ice dance for years and never figure out how a level works (goodness knows I have no idea) especially as the requirements seem to change so very quickly.
 
For example, at the Europeans, 2nd, 4th, 6th and 8th place in FD have exactly the same base value of TES. So that means that GOE and PCS makes the difference whether you finish 2nd or 8th. And I am sorry to say it, but GOE and PCS is VERY subjective.

At 4CC, in FD, 40.90 base value - 1st and 5th place. Base value 41.90 - 2nd, 3rd, 4th and 7th place. So all those placements were decided by GOE and PCS.

I don’t think this system is right! It has nothing to do with technique any more. It depends on subjective criteria.
 
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COP is not new. The criteria for Program Component Scores have been posted in links in this forum many times over the years.

Components with Explanations

:COP:

You’re ignoring the kicker: MINIMUM USE OF CROSS-CUTS. Ashley Wagner-type transitions are a joke and are not my cup of tea. Those body movements really are just choreography and should be classified as such. And I now the guidelines very well, thank you (and you are aware that I know this) so you wasted your time searching for and quoting that.
 
You’re ignoring the kicker: MINIMUM USE OF CROSS-CUTS. Ashley Wagner-type transitions are a joke and are not my cup of tea. Those body movements really are just choreography and should be classified as such. And I now the guidelines very well, thank you (and you are aware that I know this) so you wasted your time searching for and quoting that.
No, I am not ignoring anything. Have a nice cup of chamomile tea and chill out. :summer:
 
I will be greatly surprised if there is negative GOE for tanos no matter how ugly they are. That sounds like wishful thinking.
It also sounds stupid.
So a jump with great height, ice coverage, and flow out on the landing that would normally get a +3 to +5 GOE should get negative GOE because someone thinks the arm positions -- which make the jump more difficult-- are "ugly"? Ugly according to whom? It's pretty subjective and the opposite of how the criteria for technical elements is supposed to work.
 
It also sounds stupid.
So a jump with great height, ice coverage, and flow out on the landing that would normally get a +3 to +5 GOE should get negative GOE because someone thinks the arm positions -- which make the jump more difficult-- are "ugly"? Ugly according to whom? It's pretty subjective and the opposite of how the criteria for technical elements is supposed to work.
I think the GOE is supposed to be combined - so an unattractive arm position would reduce the GOE by 1 or 2 - but not that the GOE is necessarily negative.
 
I think the arms as transition thing was worded because they had low-level skaters in mind who are still developing and may not have the skills to use full and effective body movement and arm movement in-between the elements.
 
I think the GOE is supposed to be combined - so an unattractive arm position would reduce the GOE by 1 or 2 - but not that the GOE is necessarily negative.
Yes, it’s a possibility. Maybe they add that part not to punish arms over the head but more like for the judges to not give much GOE to tano and rippon.
 
That's possible but I also think what we are seeing is so filtered that I distrust most of it.

I also think -2 for "ugly" arm positions is a bit much. And, again, what is "ugly". I would rather see something like +1 for arms over the head, +2 if the position of arms is particularly pleasing or particularly difficult (rather than -1 for "ugly").
 
It is not easy to do Rippon arm position, hence athletes don’t do it. At this rate, suggestions for rule change will include how many breathes athletes can during the skate...
 
"Ugly" would probably be the way Sotskova and Tuktamysheva do theirs. Bent and not extended upwards.

The way Rippon and Zhou do theirs is beautiful and +2 worthy.
My guess is that they did not use the word ugly in the training but it was more like an exclamation from the poster like: "OMG finally some ugly tano might get a deduction."

I agree Sotskova's tano look... well... not nice.
 
My guess is that they did not use the word ugly in the training but it was more like an exclamation from the poster like: "OMG finally some ugly tano might get a deduction."

I agree Sotskova's tano look... well... not nice.

Konstantinova's are the worst. :gallopin1

At least Sotskova's upper arm in her tanos are like 45 degrees from horizontal. Stanislava's are perfectly straight across her head like she's voguing. :yikes:
 
Konstantinova's are the worst. :gallopin1

At least Sotskova's upper arm in her tanos are like 45 degrees from horizontal. Stanislava's are perfectly straight across her head like she's voguing. :yikes:
You don't remind me of that nightmare. And Tat favours her so much I feel like fainting.
 
There are also numerous requirements for spins and steps and no clear advantage for artistic moves like spirals, Ina Bauers, spread eagles, etc.

I wish there were point advantages for artistic moves.

I remember when there was a mandatory spiral sequence for the Ladies in the SP. It got very tedious watching the ladies the same spirals over and over again.

But OTOH, I would like to see beautiful spirals like those done by Kwan and Cohen in the past rewarded. Listening to the commentators gush on about them was too much, but in retrospect they really were a thing of beauty.

And Ina Bauers like the one Shizuka did at the 2006 Olympics should be rewarded.

I'd also like to see a reward for simple moves done beautifully, particularly if they are choreographed to fit the music. However, I've no idea how this could work in terms of points. Maybe it already factors into to PCS.
 
Many of the things people complain about are not the fault of the system. It's the judges who either don't care/don't see it as an issue, or are not qualified. Obviously they are qualified (I think) so it must be that they don't see things like ugly 'tanos/Rippons, unbalanced programs, poor choreography, poor jump technique, etc. as a problem.
 
Last month, the ISU announced in an IceNetwork article that they were considering some major changes to the judging framework/competition format of the sport. I can't find the original thread about it, so I'm just starting this one.

I wanted to list all in one place, for those interested, some articles/comments that have come out in response to the proposals (including 2 that I wrote). Some of these have already been posted; a couple are new.

ISU official: 'Radical change' could be on the way
http://web.icenetwork.com/news/2017/09/11/253667206
Initial IceNetwork article announcing changes

Lakernik hints at changes to IJS
http://web.icenetwork.com/news/2016...ard-thinking-lakernik-hints-at-changes-to-ijs
Related, earlier IceNetwork article

Discussion about rules changes proposals
Italian Eurosport commentators Massimiliano Ambesi and Angelo Dolfini
https://the-a-factor-fs.tumblr.com/post/165975610600/kiss-cry-episode-1#Part_4

Statistics, scoring changes, and last weekend's men's highlights
Includes data analysis of scoring changes
Figure skating writer Sarah Rasher of The Finer Sports
http://thefinersports.com/2017/09/statistics-scoring-changes-and-last-weekends-mens-highlights/

With tweaks, proposed figure skating changes make sense
Phil Hersh opinion piece on his Globetrotting site
http://www.globetrottingbyphilipher...gure-skating-scores-olympics-jumps-hanyu-kwan

Going from 4:30 to 4:00
My piece on how the changes will affect pairs free skates
With comments from skaters/coaches and data analysis
https://adivinesport.com/2017/10/23/going-from-430-to-400/

Is the ISU on the Wrong Course?
My opinion piece on other aspects of rules change proposals
https://adivinesport.com/2017/10/24/is-the-isu-on-the-wrong-course/

Dick Button comments on rules changes
In Jack Gallagher article for The Japan Times
https://www.japantimes.co.jp/sports...c-legend-buttons-advice-hanyu-dont-overtrain/

Rafael Aryutunian comments on rules changes
In recent Russian interview translated by Tabhka
https://www.fsuniverse.net/forum/threads/vaytskhovskayas-interview-with-arutyunian.102077/
UPI article with quotes from Nathan & Adam re: the proposal to cut 1 jumping pass from FS:

Olympians Nathan Chen, Adam Rippon talk future of 'quad revolution'
https://www.upi.com/Sports_News/201...talk-future-of-quad-revolution/2461523457019/
 
Olympians Nathan Chen, Adam Rippon talk future of 'quad revolution'
https://www.upi.com/Sports_News/201...talk-future-of-quad-revolution/2461523457019/
I really don't like what Rippon is saying about 6 quads. He is advocating some form of "redistribution" and "equalization" because "some can't do all 6 quads", in a venue that is "competition" which means "the best one wins" and . I think he is an as... who can't skate as well as Chen, and trying to sway the rules towards what favors him with lesser tech content. It's harder to do 6 quads, than to wave around and stick out his bubble-butt.. There are quad jumps, those who can do them have better technical abilities, and they should do them and get rewarded.

"I don't think anyone was planning on someone doing six quads in a program. I don't think the rules were set up for somebody to do that," Rippon said in reference to Chen's Olympic free skate. "They need to tailor the rules around that and they need to make it so it's not one person skates well in a competition and then there's 400 disasters."
 
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@Tinami Amori Well, as a competitive skater who finished in the top 10 at the Olympics with no quad, I'd say Adam's doing just fine "waving around and sticking out his bubble-butt." He also has the 7th best average score this year - ahead of many who can do quads (Patrick Chan, Max Aaron, Vincent Zhou, Dmitri Aliev, Sergei Voronov, Alexei Bychenko, Keegan Messing) and with an average only 5 points lower than Kolyada (2 quads in SP, 3 quads in FS) and 6 points lower than Jin (2 quads in SP, 4 quads in FS). And calling him an "as..."? Umm, yeah, okay... Whatever you want to think about him...
Adam's been around the block. He knows how things are changing and that they weren't changing in his favor. As one of the men's competitors who's been around the longest, I think he's in a unique position to comment on the direction of men's figure skating right now.

I do think there needs to be a reform to the quad. I get what he's saying about not everyone being able to do 6 quads. Literally only one skater has done that, and if only one skater remains capable of that, competitions will get less and less interesting. Yes, it is about higher-better-faster-stronger, but parity is good for viewership. If only one man can do 6 quads but 4-5 more skaters can do 3 or 4 quads, maybe we should try to keep quads down to 3 or 4 per program to allow for more parity.
We also need to watch for the splat-fest. Even though more men are now landing quads, quads have made competitions messier and have prevented some of the best skaters we have from getting on podiums. Skating needs to decide if it wants to reward the best jumper or the best all-around skater (jumps, spins, footwork, presentation, etc.).
My bigger concern with quads is the health of skaters. Yes, they're exciting, but do we really want all these injuries to keep on coming or to see all of our favorite skaters getting surgery and chronic pain at a relatively young age from doing all those quads?
 
I do think there needs to be a reform to the quad. I get what he's saying about not everyone being able to do 6 quads. Literally only one skater has done that, and if only one skater remains capable of that, competitions will get less and less interesting.
This is a dangerous trend in society in general: sacrifice one who is excellent, for sake of many who are mediocre.

That one (or two) Chen, Hanyu, will be punished for there excellence, for being far ahead of the field, just because others are "lacking behind", less capable, not so lucky, have different bodies, and whatever the "socialist mantra" today is to justify redistribution.

... and yes, there is a link between "this" and "give everyone a participation medal"... and exclude a junior baseball team from 1 year of competition, because their team won 4 times in a row, and they should let another team win sometimes or poor losers will be discouraged.... Welcome to US-SSR https://www.youtube.com/watch?v=3sh4kz_zhyo
 

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