A photo of Anna, Julia and Maxim on the tribune
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Not just when it is in a foreign language; there are other reasons why audience may need a synopsis (not knowing the original culture, history or mythology behind a piece). Language is only one of many forms of conveying information. Usually performance pieces contain few other forms. It makes only that much more sense to have a synopsis for an abstract piece which has no language or setting or costumes, and deals only with "philosophy of the performer/artist/creator".Ballets and operas are generally in other languages, and the synopses are describing settings, actions, and summaries to be able to follow the plot line, not commentary about philosophy or abstractions. Although there are exceptions: I wish I could find a link to Peter Sellars' synopsis for "Tristan und Isolde" for the production he did for Paris Opera in 2005, which still has me![]()
Well...... if ballets and operas, with costumes, sets, and several other rather expressive story-telling elements, require a synopsis/libretto, then such synopsis for "plotless" abstract performance pieces, as well as for abstract art, can even further benefit the audience. An artist tells the audience "this is my vision of the given subject" and audience has an option to do their own comparison how well their understanding of the "subject" fits the artist's "expression of it".
besides... we are not talking (yet?) about how effective is the interpretation of the idea.... we're talking about a practice of giving a synopsis for an abstract piece... and it is something that is commonly practiced.
All I know is that I enjoyed ice dance much more back in the days where you needed explanations of the programs.![]()
All I know is that I enjoyed ice dance much more back in the days where you needed explanations of the programs.![]()
https://www.instagram.com/p/BY8C6f0lDdMHAzHKlY6Cw2jW4pYtG_7bw5zCE00/?hl=ru&taken-by=sunnylipnitskayaI want to say thank you to all the fans for their love, for their faith, understanding and expectancy. I'm very glad that there are people who treat me with such warmth. Just thanks to everyone!
Mean while Morozov:
about Morozova/Bagin: Of course she has her Olympic dream, it's a must and I help her make her dream come true. I helped everyone else, including those who were not worth it, so sure I will help my daughter.
Oh dear, who are those `not worthy'? The Olympic bronze medalists?
Mean while Morozov:
about Morozova/Bagin: they've only been skating for a month together and Anabelle switched to the ice dance only a year ago. She likes the ice dance, and she skates well, hence thye participated the test skates. Of course she has her Olympic dream, it's a must and I help her make her dream come true. I helped everyone else, including those who were not worth it, so sure I will help my daughter.
He doesn't have to be strict with his daughter because `she grew up in a different world, she does not that feature, that is usual for many Russian skaters. I don't have to make her do a thing, she knows what time she has to wake up and come to the practice'
Oh dear, who are those `not worthy'? The Olympic bronze medalists?
I mean I don't love him saying that either, but he's had a lot of students. He may not be talking about anyone high profile, but rather people who had the money but not much talent that he worked with for a bit as caseyedwards said, which is a bit different.He really is kind of despicable isn't he? (and not only because he is basically a predator). I'm as far as you can get from being an Ilinykh/Katsalapov fan (I will never get the praises she's still getting) but that's a very inappropriate comment to make about former students. Make me question again what are WeaPo doing with him.
Pogo's Anna Karenina has finally been uploaded from Fantasy on Ice https://www.youtube.com/watch?time_continue=2&v=asmYtsSckaA
It’s not uncommon at a modern dance or ballet performance for the audience to be given a programme describing what each segment symbolizes.
"Full of delirium, nonsense," Plushenko said, "men's single skating.....has been pushed forward with quads, so why lower their value? Who decides this, I do not understand? Who thinks it up?"
"The future of world figure skating is in multi-turn jumping, as my great trainer Alexei Mishin said..... artistry is needed, who is against it? But why lower the value of quadruple jumps? On the contrary, bonuses should be given! " - said Plushenko.
"By the way, I've heard that the free program is to be reduced to four minutes from four minutes and forty seconds. Complete nonsense" the figure skater believes.
That was really nice, although the veil over the face seemed like overkill. I liked that better than any other program of hers I've ever seen. I kind of wish she'd gone with that for a competitive program!
Well, Med's style is obviously not for everyone...
Olga Korbut, the gymnast, had a very distinctive, unique style of gymnastics (which I thought was great) that received the same kind of fan basereaction. Despite the fact that it is an entirely different sport, Med's 'style' and the subsequent reactions to it, I find similar to Korbut, either you like it or not.
I do applaud Janny for trying new things, pushing the envelope, daring to be different and not just simply winking at the judges, for example.![]()
Is she really trying to do something new or just following what her coaching team says? I've said it, the girl has many superb qualities, but to me, they are trying to cover her lack of musicality with these philosophical theme programs, which is good for the skater in a way. But being a musician myself, I wouldn't agree its a new style made on purpose. The Duchesnays changed the ice dance, did something totally different but still were musical and could relate to the music.
That was really nice, although the veil over the face seemed like overkill. I liked that better than any other program of hers I've ever seen. I kind of wish she'd gone with that for a competitive program!