2017-2018 Program Music and Choreographers

arakwafan2006

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So far, Ashley's free is the only one exciting me of all the ones I've read. I'm really waiting to see what The Chinese pair, French and Canadian dance teams as well as Fernandez are going to do.
 

Meoima

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Not convinved about Hondas progam, too.
Music suits her, but hm, nothing special for me :blocjudge

It's still lot of time and I like Honda, so I keep on hoping!
Ina Bauer and music copied from Shizuka Arakawa.
Ending pose copied from Mao Asada
Red dress copied from Yuna Kim (seriously, go on YouTube and look up Yuna's Turandot, it was much better).
 
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MAXSwagg

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Love Marin's skating, it's very pure with deep knees and clean, flowing edges. But why the F*CK would they pick this music?! Why, why, why! And some of the choreography is odd to me...doesn't match. Can't get over the woman singing it either. She's too intense for this light aria...needs something more intense! She did a damn Beetlejuice program, for god's sake.

What is her SP music? Did she reveal that yet?
 

DobrinFan

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Love Marin's skating, it's very pure with deep knees and clean, flowing edges. But why the F*CK would they pick this music?! Why, why, why! And some of the choreography is odd to me...doesn't match. Can't get over the woman singing it either. She's too intense for this light aria...needs something more intense! She did a damn Beetlejuice program, for god's sake.

What is her SP music? Did she reveal that yet?

SP is Jalousie and La cumparsita
 

Sylvia

Flight #5342: I Will Remember You
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Is it publicly known if David Wilson choreographed Marin Honda's SP or FS? https://www.instagram.com/p/BTu5NF9g6u5/

ETA Marin Honda was quoted at the end of this article (link posted by @DobrinFan):
https://headlines.yahoo.co.jp/hl?a=20170702-00000109-dal-spo
The free "Turandot" is a program that was used free when Shizuka Arakawa won the gold medal at the Torino Olympics. "It's a famous song everyone knows, so I want to act like myself, I'd like to have a goal for Pyeongchang Olympic appearance."
 

Jarrett

What the hell?!
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3,704
I like Mihara a lot and I love her FS choice, but I fear this SP music is a bit too much for her :blocjudge
You think? I thought I was watching Michelle Kwan in 1993..... The hip movement at the beginning is as awkward as it gets.... :wall:
 

VGThuy

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Maybe Marin should revisit Turandot when she's older. I'm sure she'll improve as the season progresses, but I'm not sure she's really mature enough to really match what the music needs the way more successful skaters were when they did Turandot.
 

Spun Silver

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Wow, you people are grinches. She skates and fills up the music so beautifully, who cares if she is not acting the opera? plus, this is probably her first public performance of it. Give her a few months. Her expression going into her spiral on the (horrible) soprano's climactic high note was fabulous. Total props to her. She wants an Olympic medal and I won't be surprised if she gets one.
 

Jarrett

What the hell?!
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3,704
Wow, you people are grinches. She skates and fills up the music so beautifully, who cares if she is not acting the opera? plus, this is probably her first public performance of it. Give her a few months. Her expression going into her spiral on the (horrible) soprano's climactic high note was fabulous. Total props to her. She wants an Olympic medal and I won't be surprised if she gets one.
Unfortunately, she literally does cross overs for 7 seconds before that spiral. I am a huge fan of Marin and hopes she gets that medal, she is the most complete Japanese skater now that Mao has retired. Just after so many good Turandots this one doesn't even come close to the Sarah Hughes version....
 

Spun Silver

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Unfortunately, she literally does cross overs for 7 seconds before that spiral. I am a huge fan of Marin and hopes she gets that medal, she is the most complete Japanese skater now that Mao has retired. Just after so many good Turandots this one doesn't even come close to the Sarah Hughes version....
Like I said, first performance, at a show. Sheesh.
 

LKR

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962
Wow, you people are grinches. She skates and fills up the music so beautifully, who cares if she is not acting the opera? plus, this is probably her first public performance of it. Give her a few months. Her expression going into her spiral on the (horrible) soprano's climactic high note was fabulous. Total props to her. She wants an Olympic medal and I won't be surprised if she gets one.

Yeah, I'm not getting the hate either. Turandot was certainly not my first choice, but for July and an exhibition, she looks terrific. The program is in its beginning stage, but it has lots of nice moments and I could see it in seven months being memorable at an Olympics. For me, even in this exhibition Marin is far more interesting and dynamic to watch than Satoko.

I really try not to judge programs in July. I remember thinking Ashley Wagner's Black Swan was a skeleton of a program when she debuted it, but by 4CC/Worlds I loved it.
 
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Marco

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Not thrilled about Marin choosing Turandot, but the skating is beautiful to watch. Hopefully the competitive version will be stunning!
 

Meoima

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Wow, you people are grinches. She skates and fills up the music so beautifully, who cares if she is not acting the opera? plus, this is probably her first public performance of it. Give her a few months. Her expression going into her spiral on the (horrible) soprano's climactic high note was fabulous. Total props to her. She wants an Olympic medal and I won't be surprised if she gets one.
I hope she will get rid of that ending pose as it's from Mao.
And I hope she should change the dress because it looks identical to Yuna Kim's Turandot.
 

chapis

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I watched the whole program of Marin and the dress is not the only thing identical to Yuna´s. Basically the whole program, each little detail is the program that Yuna would have skated in Korea if she would not be retired. Not impressed, although I suppose it will benefit her in an Olympic season and in Korea, where the public is so used to this style of skating.
 

Meoima

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I watched the whole program of Marin and the dress is not the only thing identical to Yuna´s. Basically the whole program, each little detail is the program that Yuna would have skated in Korea if she would not be retired. Not impressed, although I suppose it will benefit her in an Olympic season and in Korea, where the public is so used to this style of skating.
It's still David Wilson as the choreographer after all. Personally even though I am not Yuna's fan, I still come back to watch Yuna's turandot after watching Marin's new LP. I know it's unfair to compare a 15 years old girl Marin to Yuna's last exhibition program but still... it kinda bugs me.
And that ending pose Mao has used many times. I can't stop feeling a bit annoyed.
 

clairecloutier

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@chapis @Meoima Okay, you guys made me go back and watch Yuna's Turandot to compare to Marin's. And yes you are right, Marin's costume is almost an exact copy of Yuna's! I wonder if it's a tribute, and if Yuna is one of Marin's idols? (Why would she not be, I suppose? :D)

That aside, I find the two programs different enough. I feel like it's not really fair to Marin to compare them. Marin is only 15, just starting in seniors; Yuna was 23, a two-time Olympic medalist, fully mature in her skating. They're like night and day, really.

I think Marin's program is good and should serve her well in competition. It's not exactly the music I would've chosen for her, but she interprets it quite well already, and it's only July. Marin has the ability to make every moment beautiful; and also to make many moments meaningful and interesting. The program will only improve from here.

I wouldn't be surprised if, after getting beaten by Zagitova's dramatic Don Quixote last year, Marin wanted something more powerful and dramatic this year.
 

MAXSwagg

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Frankly, it's David Wilson's fault. As I said...perhaps he should not be so greedy and say "Sorry, I can't take you. I have too many choreographies to do."
 

mattiecat13

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Just curious: How many programs do choreographers typically do a season? Do they limit themselves to doing so many programs per season so as not to drain their creativity? *Should* they limit themselves?
 

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