U.S. Women [#8]: Meet Me in St. Louis

Vagabond

Vagabond

Well-Known Member
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"Meet me in St. Louis, Louis,
Meet me at the fair,
Don't tell me the lights are shining
any place but there,
We will dance the Hoochee Koochee,
I will be your tootsie wootsie,
If you will meet in St. Louis, Louis,
Meet me at the fair."
🧑‍🎤​

This could be a good exhibition number.

The Trolley Song is just about four minutes long and could be a Free Skate for someone with stamina, power, and grace. Who would that be?

:watch:
 
Let's hope this is just for a photo shoot. Pretty sure the ISU regs wouldn't allow this big of a corporate logo on her costume, lol.

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Karen-W said:
Let's hope this is just for a photo shoot. Pretty sure the ISU regs wouldn't allow this big of a corporate logo on her costume, lol.
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:lol: And let's hope Amber doesn't put Amlactin on her costume. Isabeau also posted some of the proofs from the photo shoot. I didn't really think the pastel blue costume went well with the Red Bull logo. I found it interesting that they went with that color and style and didn't go for a bolder look. It seems like they are trying to broaden their appeal. This goes back to the discussion before about why Red Bull went with Isabeau rather than someone like Ilia.
 
Allskate said:
:lol: She also posted some of the proofs from the photo shoot. I didn't really think the pastel blue costume went well with the Red Bull logo. I found it interesting that they went with that color and style and didn't go for a bolder look. It seems like they are trying to broaden their appeal. This goes back to the discussion before about why Red Bull went with Isabeau rather than someone like Ilia.
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Eh, I just figured they wanted that Red Bull logo to stand out and it most certainly does against the pastel blue skating dress.
 
I read about Bradie in the other thread skating to The Mission for her LP. She could have 'a moment' if she nails it.

Ignore her for the Olympic team AYOR. I do think she could catch someone like Isabeau if she has a mistake or two and Bradie is great, or if the older version of Amber returns.
 
AngieNikodinovLove (ANL) said:
Ladies and gentleladies, without further ado, it gives me ANL the greatest OF pleasure to announce the music of 2025/2026 of Olympic champion Amber Glenn

Here is our amuse Bouche

The short program, drumroll, please @SidelineSkater

The short program is like a prayer by Madonna, holy shit I can’t believe it. Oh my God.
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Is this going to actually be Madonna?

Or is it going to be a lame muzak version a la Rochette circa 2006?
 
olympic said:
Is this going to actually be Madonna?

Or is it going to be a lame muzak version a la Rochette circa 2006?
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In slight fairness to Rochette, it’s not like she had the option to use the original in 2006 :p

I think this is a PERFECT choice for Amber. That remix sounds enough like the original to satisfy me, and the more cinematic pieces to it should work well in a skating setting. She can destroy this.

And also, a fantastic choice for an Olympic Games. This is accessible enough for non-skating fans to like it pretty much no matter what.
 
honey said:
In slight fairness to Rochette, it’s not like she had the option to use the original in 2006 :p

I think this is a PERFECT choice for Amber. That remix sounds enough like the original to satisfy me, and the more cinematic pieces to it should work well in a skating setting. She can destroy this.

And also, a fantastic choice for an Olympic Games. This is accessible enough for non-skating fans to like it pretty much no matter what.
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Agreed. Brilliant choice, the first inspired one of the season.
Bravo, Amber!
 
Great choice for Glenn!

Disappointed to see Everhardt keep the juvenile Riverdance program, which does not play to her strengths and probably deserves PCS in the low 6s or 5s if the judges mark correctly. OTOH, the most important thing for her is adding the 3Lz+3T to the program.

The Mission is a warhorse, but Tennell can do a good job with it. It's funny, I had thought about that music for Levito since her "Nella Fantasia" short program was so surprisingly good for her.

Sarah Brightman apparently pestered Ennio Morricone for years until he finally agreed to let her use the music. I kinda wish he had stuck to his guns :lol:, but Levito did a great job with it nonetheless.
 
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