I had a feeling Hopkins would take it. The Father was peaking during voting time and there was so much hate for Boseman’s performance online.
Why?
Follow along with the video below to see how to install our site as a web app on your home screen.
Note: This feature may not be available in some browsers.
I had a feeling Hopkins would take it. The Father was peaking during voting time and there was so much hate for Boseman’s performance online.
really?I had a feeling Hopkins would take it. The Father was peaking during voting time and there was so much hate for Boseman’s performance online.
A lot of younger movie watchers didn’t get his performance and the theatricality of it. They also don’t get August Wilson and his grand theatre almost Shakespearean like language. A lot of anonymous ballots were echoing what the online people were saying and some thought he was bad in the movie. And when Ma Rainey failed to get a best screenplay and best picture nomination, it kind of showed a lack of support. Best Actor winners tend to be in best picture nominated films. Jeff Bridges in 2008 ISh was the last time an actor won Best Actor without his film getting a best picture nod.Why?
A lot of younger movie watchers didn’t get his performance and the theatricality of it. They also don’t get August Wilson and his grand theatre almost Shakespearean like language. A lot of anonymous ballots were echoing what the online people were saying and some thought he was bad in the movie. And when Ma Rainey failed to get a best screenplay and best picture nomination, it kind of showed a lack of support.
I wrote a small break down a few days ago:Thanks! This is my first time in a long time not entering an Oscar Prediction contest. The weird thing is that I tend to do better in them when I don't watch the films, because I just pick based on buzz rather than my own emotional attachment.
I thought Mulligan might have taken it but also wrote why Davis and McDormand could have as well.The Independent Spirit Awards announced their winners last night:
Best Feature
“Nomadland”
“First Cow”
“Ma Rainey’s Black Bottom”
“Minari”
“Never Rarely Sometimes Always”
Best Female Lead
Carey Mulligan (“Promising Young Woman”)
Nicole Beharie (“Miss Juneteenth”)
Viola Davis (“Ma Rainey’s Black Bottom”)
Sidney Flanigan (“Never Rarely Sometimes Always”)
Julia Garner (“The Assistant”)
Frances McDormand (“Nomadland”)
Someone to Watch Award
Ekwa Msangi “( Farewell Amor”)
David Midell (“The Killing of Kenneth Chamberlain”)
Annie Silverstein (“Bull”)
Best Male Lead
Riz Ahmed (“The Sound of Metal”)
Chadwick Boseman (“Ma Rainey’s Black Bottom”)
Rob Morgan (“Bull”)
Steven Yeun (“Minari”)
Adarsh Gourav (“The White Tiger”)
Piaget Producers Award
Gerry Kim
Kara Durrett
Lucas Joaquin
Best Director
Chloé Zhao (“Nomadland”)
Lee Isaac Chung (“Minari”)
Emerald Fennell (“Promising Young Woman”)
Eliza Hittman (“Never Rarely Sometimes Always”)
Kelly Reichardt (“First Cow”)
Best New Non-Scripted or Documentary Series
“Immigration Nation”
“Atlanta’s Missing and Murdered: The Lost Children”
“City So Real”
“Love Fraud”
“We’re Here”
John Cassavetes Award
“Residue”
“The Killing of Two Lovers”
“La Leyenda Negra”
“Lingua Franca”
“Saint Frances”
Best Cinematography
Joshua James Richards (“Nomadland”)
Jay Keitel (“She Dies Tomorrow”)
Shabier Kirchner (“Bull”)
Michael Latham (“The Assistant”)
Hélène Louvart (“Never Rarely Sometimes Always”)
Best International Film
“Quo Vadis, Aida?”
“Bacurau”
“The Disciple”
“Night of the Kings”
“Preparations to be Together for an Unknown Period of Time”
Best Editing
“Nomadland”
“I Carry You With Me”
“The Invisible Man”
“Residue”
“Never Rarely Sometimes Always”
Best Ensemble Cast in a New Scripted Series
“I May Destroy You”
Best Male Performance in a New Scripted Series
Amit Rahav (“Unorthodox”)
Conphidance (“Little America”)
Adam Ali (“Little America”)
Nicco Annan (“P-Valley”)
Harold Torre (“Zero, Zero, Zero”)
Best Female Performance in a New Scripted Series
Shira Haas (“Unorthodox”)
Elle Fanning (“The Great”)
Abby McEnany (“Work in Progress”)
Maitreyi Ramakrishnan (“Never Have I Ever”)
Jordan Kristine Seamón (“We Are Who We Are”)
Best New Scripted Series
“I May Destroy You”
“Little America”
“Small Axe”
“A Teacher”
“Unorthodox”
Robert Altman Award
“One Night in Miami”
Best Screenplay
“Promising Young Woman”
“Bad Education”
“Minari”
“The Half of It”
“Never Rarely Sometimes Always”
Best Documentary
“Crip Camp”
“Collective”
“Dick Johnson Is Dead”
“Time”
“The Mole Agent”
Best Supporting Male
Paul Raci (“Sound of Metal”)
Colman Domingo (“Ma Rainey’s Black Bottom”)
Orion Lee (“First Cow”)
Glynn Turman (“Ma Rainey’s Black Bottom”)
Benedict Wong (“Nine Days”)
Truer Than Fiction Award
Elegance Bratton (“Pier Kids”)
Cecilia Aldarondo (“Landfall”)
Best First Feature
“The Sound of Metal”
“I Carry You With Me”
“The 40-Year-Old Version”
“Miss Juneteenth”
“Nine Days”
Best First Screenplay
Andy Siara (“Palm Springs”)
Kitty Green (“The Assistant”)
Noah Hutton (“Lapsis”)
Channing Godfrey Peoples (“Miss Juneteenth”)
James Sweeney (“Straight Up”)
Best Supporting Female
Yuh-jung Youn (“Minari”)
Alexis Chikaeze (“Miss Juneteenth”)
Yeri Han (“Minari”)
Valerie Mahaffey (“French Exit”)
Talia Ryder (“Never Rarely Sometimes Always”)
-------------------------------
Boseman loses his second award in a row. First to Hopkins at BAFTA and now to Riz Ahmed here. I have a feeling he may not win the Oscar despite his heavy favorite status come Sunday. I'm getting a Glenn Close vibe from it, and I think Anthony Hopkins will take it for The Father. Plus, that film is right up Oscar's alley.
Mulligan's win over McDormand here is pretty indicative of her position. This is how I see the Best Actress race:
1. Mulligan - [Broadcast] Film Critics and Spirit Award winner. Some say she could have won BAFTA if the jury didn't snub her for a nomination. I have a feeling this where they'll reward Promising Young Woman. I know people think it'll win Best Screenplay because it won WGA and every other award for it, but I found the screenplay to be the weakest part of that movie and actors LOVE Sorkin and I can see the largest voting branch surprising us by giving it to The Trial of the Chicago 7. So Mulligan, arguably the best part of PYW, will be where they want to reward the movie. I just have a feeling she's in the strongest position to take it in a small plurality where the voters are so split.
2. Davis - SAG winner. Actors are the biggest branch of the Academy but SAG has thousands more members and aren't exclusive the way the Academy is. Usually, when there's a split between BAFTA and SAG, it's about 50/50 on who wins.) Davis has been campaigning very well this season making herself very likable and approachable and has been advocating for all kinds of social justice campaigns for Asian-Americans, spearheading talks with women in film of all ages/roles/races/countries of origins/etc., and the truth is that it's so ridiculous that we haven't had a black actress win Best Actress since Halle Berry in 2001 (2002 ceremony). That said Ma Rainey doesn't seem to be appreciated at all by most of the online film community (they don't get that August Wilson's plays and dialogue is Shakespearean in grandeur, so it's not supposed to be grounded. They also don't seem to respect his works or him as THE African-American playwright), which also hurts Boseman. Also, her character is borderline supporting though I'd argue you can argue either way.
3. McDormand - BAFTA winner. Probably has the most critics awards before the Globes started. Her issue is that people don't usually award a third Oscar so soon after a second and NOT for a low-key subtle grounded performance. However, she's in the Best Pic and Best Director favorite and she carried the film on her two shoulders.
4. Andra Day - Golden Globe - Drama winner. Usually, the drama winner goes on to win multiple awards, but Day, a first-time actress in a movie with bad to middling reviews who says she won't act again, has some things going against her. However, she's in a very tragic/dramatic biopic and has the meatiest most scene chewing performance (thanks to the overwrought direction) and add that to her singing Billie Holiday's songs herself, it's hard to count her out since all of that is Oscar cat nip.
5. Kirby. Venice Film Festival - Volpi Cup for Best Actress winner. Hasn't won any major televised awards but she's the only one other than McDormand (if you don't count the two indie awards) who has been nominated for EVERYTHING. Like Mulligan, she's been making a name for herself among her British peers (and they vote as a bloc sometimes) and she recently had success in The Crown playing Princess Margaret and is known for her theatre work in respected productions. She has a few projects lined up and some may set her up with this award. That said, she hasn't actually won anything since the Venice Film Festival. That said, winning Venice is a big deal as multiple Venice Volpi Cup winners for Best Actress have successfully gone on to win the Oscar this decade.
As for Best Director, I think Chloe Zhao has this in the bag.
Best Picture, Nomadland is still the favorite, but I see a potential upset from The Father since this movie is peaking right during voting time. People seem to be going nuts over it and the subject matter is certainly Oscar bait. Plus, it has a prestigious cast, it's British, has the usual western-style dramaturgical storytelling format while being somewhat new as. However, out of all the films nominated, I think Nomadland will be the one we'll most likely be talking about, if at all, because of automation taking over our industries and so many of us will be finding ourselves in the gig economy and needing to be more mobile.the film is told in Hopkins' characters' POV so we don't what we're seeing is accurate or not since he's suffering from dementia
Best Supporting Actor will most likely go to Daniel Kaluuya thought I personally would vote for Paul Raci. This is one of the few times I don't mind category fraud in the case of Lakeith Stanfield because he himself didn't campaign to be put in supporting. The thousands of members in the Actor's branch somehow made that happen.
Best Supporting Actress, this looks like it'll be Youn Yuh-Jung's to lose. Before, this was as open as Best Actress. Non-nominated Jodie Foster won the Globe, Maria Bakalova failed to win her Golden Globe lead Actress in a comedy category but went on to win the critic's choice, and early and small frontrunner Amanda Seyfried failed to get nominated at SAG. Then there was Glenn Close, who although receiving a Razzie nomination for this performance in a film people are hating, always has some support from her fellow actors and the fact that she's on 8 nominations and 0 wins will always make her some sort of threat. But with a SAG, BAFTA, and now Spirits win, I think Youn has it now. Some think Olivia Colman may be spoiler and although she was snubbed at BAFTA (of all places), London critics, Golden Globes, etc. The Father has been hitting its peak. I think the biggest thing about Youn is that Oscar almost NEVER awards Asian actors and don't even nominate them in Best Picture contenders/winners. The tide may be changing here with two East Asian actors nominated in a Best Pic contender and Riz Ahmed being a South Asian nominee.
I loved it but If you don’t want to watch Nomadland then don’t. It doesn’t help to watch a movie you don’t want to watch already because I don’t think it’ll change your mind about it.Can someone tell me if Nomadland is a good film and deserved the award? I really don't want to watch it.
McDormand looks like Nathan Chen's costume took on the living embodiment of a woman
ETA - I saw Ma Rainey's Black Bottom and The Father. I agree w/ the result here: I just thought there was more going on w/ Hopkins' performance, even if Boseman gave a good performance. Hopkins dominated the picture while Boseman was kind of underneath Viola Davis, if that makes sense
I was SO confused when they didn’t end with best picture. Some producer took a gamble on a posthumous Bozeman win as being a perfect close, and then it all deflated because Hopkins wasn’t there. Stupid...really?
My secret hope was that Riz Ahmed would win, but knew it was verrry unlikely.
Still, with that outcome, why the heck did they end with that award? yikes
Can someone tell me if Nomadland is a good film and deserved the award? I really don't want to watch it.
It was a joke.I loved it but If you don’t want to watch Nomadland then don’t. It doesn’t help to watch a movie you don’t want to watch already because I don’t think it’ll change your mind about it.
See above. When you say 'some plot', does that mean Nomadland has very little or no plot?Does it matter if it's a good film or not, then?
I just watched it, and it was beautiful, and also sad. Maybe wistful is more apt. If you need a lot of plot (or, you know, some plot), it may not be for you.
very, very little plotSee above. When you say 'some plot', does that mean Nomadland has very little or no plot?
was she not wearing makeup? I was just wondering who chose the ugly dress and that aggressively weird hairstyle. Her face was flawless, as usual. And yes, her look the year she won her Oscar was astounding.As for Halle Berry, I do applaud those who choose to go without makeup and celebrate inner beauty and all that, but can we all just remind ourselves for a moment of how fabulous she is capable of looking? Scroll down
Since I didn’t have a way to watch the Oscars last night, my sister was giving me the pop over the phone (beginning with the red carpet). When I read your post I relayed it to her and said that the producers must have broken the “secret results” because if Chadwick didn’t win ...I'm expecting they want to end the show with Chadwick Boseman
I really want to see Nomadland — my sister saw it when it first was streaming and really liked it. In my non-streaming life, I was interested enough to check out the book that inspired it which I found engrossing and am now even more eager to see the movie. It would be very hard to have a traditional “plot” for a depiction those living this nomadic and unpredictable life with no neat and tidy end of a “story.”I just watched it, and it was beautiful, and also sad. Maybe wistful is more apt. If you need a lot of plot (or, you know, some plot), it may not be for you.
So much this. That whole music trivia was unnecessary, and while it provided a twitter-worthy moment for Glenn Close, there were too many other things that were omitted to give precious minutes to a gag that was just ok.And while Glenn Close was great, I would have traded out that trivia game for more time spent for the In Memorium reel and having clips and the songs in the actual show, not before (which I missed).
I had read a while back that China planned to block the awards due to the nomination of the documentary short on the Hong King protests.China censors news about the Oscars and Chloe Zhao's directing win:
Well he’s dead so it’s not like winning it was going to give him career opportunities.I am very upset that Chadwick was not given the best actor Oscar. It was his last chance.
Yes, Best Picture should be last - the culmination of the night, a bunch of happy people on stage.I get wanting to shake things up, but Best Picture is the overall grand award. It really should have been the last one given out.
I missed the orchestra, even though I [heart] Questlove.
I was really happy to see Union Station being shown off. It's such a beautiful building, and the set designers did a fantastic job of capturing its feel and look.
In theory though, no one but the accounting firm knows the winners in advance, so had they done that, it would have indicated that the winners were known to the show's producers and production designers well before the ceremony.Yes, Best Picture should be last - the culmination of the night, a bunch of happy people on stage.
Director should have been later to celebrate the 2nd woman and 1st Asian woman to win.