I forgot to mention how much I enjoyed watching Xue Shen/ Hongbo Zhao. I love so many of their performances, which is about the intensity of their connection and their passion for the sport.
Their most memorable and iconic program of course is the
Turandot fp at 2003 Worlds when Xue was injured and they skated with such courage and passion! I also loved their
Pas de Deux from
The Nutcracker (2003-04) and music from
Madame Butterfly (2005-06) -- all choreographed by Lea Ann Miller.
Turandot was choreographed by Miller, Renee Roca & Gorsha Sur!
In addition, there are other iconic performances and music selections by Nathan and Hanyu, but the ones mentioned are those they will probably always be the most associated with. I love Nathan's junior programs: MJ medley (
Smile +
Smooth Criminal);
Piano Concerto # 1 in E minor; and practically all of his senior programs. Besides the two already mentioned in my earlier post, I enjoy:
Le Corsaire;
Caravan/ Moliendo Cafe;
Land of All (Woodkid);
La Boheme; Mao's Last Dancer/ The Rite of Spring. I forgot that
Rocketman (mentioned in my earlier post) is part of a medley of Elton John songs that includes
Goodbye Yellow Brick Road and
Bennie & the Jets. Nathan was so wonderful in Shae Lynn Bourne's edgy choreo to Benjamin Clementine's
Nemesis, that I'd love to see Nathan perform to more of Clementine's work.
Hanyu will certainly always be associated with the jazzy and bravura
Let's Go Crazy, along with
Seimei and music from the DiCaprio film version of
Romeo & Juliet:
https://www.youtube.com/watch?v=aK3MJxS_--E vintage Hanyu (crazy uber-talented at age 17). Of course, he needed to slow down a tad and feel the music more, but what he's doing in this program is amazing, especially with his asthmatic condition. The fall was just a stumble on nothing so that didn't really matter -- he was winded, but he got back up and flew right into his signature triple axel with loads of speed, superb technique and out-of-this-world rotational ability. He was getting tired but he continued pulling out the landings, which is a testament to his singular drive and focus. I've always taken issue with a few things about Hanyu's skating (he needs more awareness of stretch, posture & carriage, and pointing of his feet, as well as feeling the music more and projecting more to the audience instead of looking down so much). Still, he's an incredible athlete/performer/technician. His soft knees and the consistent technical precision on his jumps is legendary.