According to Romain, they are basing the movements to spoken words, rather than relying solely on melodies. Sounds daring.
" We wanted to base ourselves on a text, something that made sense, to explore another dimension in the way of moving, to be a little less lyrical ", continues the French coach, whom his students followed in Montreal. " These words are broken down into rhythms and we use all these nuances, of course we have to skate on an audible rhythm, it is compulsory in dance, but we will also look for the rhythm given by the words. "
" Through more jerky gestures, more broken lines, with more break in movements, more contraction, alternating with fluidity, ease, which are their main qualities ," he explains.
" It's a very, very different end product from what we've (already) seen, it's another dimension of movement compared to the music I've never seen in skating, " he says. .
" It's not cold at all, music with lyrics, rhythm and acceleration, it's very warm on the contrary, very addictive, " says Haguenauer.