He is, however, working away from home, “Damages” having been set in New York to accommodate Close, who’d done 13 episodes of FX’s “The Shield” in Los Angeles two years ago and didn’t want to be away from her family that long again.
“A lot of the traps in L.A., for me, is, ‘You are known to do this, and we’re going to hire you to do this, and you better show up with your game,”‘ Danson said.
“In New York, you’re a student forever,” he said. “You can be doing Broadway at night and doing soap opera during the day and a commercial on the weekends. There’s no prejudice or class system. We’re all actors, we’re all just going to dig in there and keep learning and keep working and keep growing. For me, that’s the sense of New York, and that’s really the fun part about it. …
“I actually went to a great acting coach (Harold Guskin, author of “How to Stop Acting”) right before I did this, and he kind of re-excited me about the attitude of … ‘I know there are six lines I have to say – I may not say them all. I’m only interested in the first one, “Kiss my (behind).”‘ Which is a kind of very powerful place to come from, acting-wise.”
The kind of person who’s done what Frobisher’s done with his business, “there’s an arrogance of power, which is, ‘I can do anything I want, whenever I want. I don’t really care what you all think.’ Well, that kind of acting, that’s fun,” he said.
As for Guskin, Danson said, “I will absolutely go to him” again.