VGThuy
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I was sure of this.
Seems like she dedicated her 2nd Olympic medal to Alex. I personally find it very romantic.
I'm having trouble understanding your intent with your posts.
I was sure of this.
Seems like she dedicated her 2nd Olympic medal to Alex. I personally find it very romantic.
I'm having trouble understanding your intent with your posts.
Maybe you can start your own predictions thread, then, since this one is about Carolina Kostner and not about your attempts at performance art.Let's say... I have perceptions about the future and I love to write them down.
Wow, she was stunning!!!!!!! Such a great skate! And a fantastic second place! Congratulations Caro! The only thing I really don´t get is why she lost the PCS to Medvedeva... 2 points in the SP, 3 in the FP... Strange. But she can be so proud about how good she skated at this competition! Thank you Caro for such beautiful programs!
Silver (just in case anyone is looking for facts in this fan thread).Caro won Finlandia trophy.
NHK Trophy.Next Stop:
NHK Trophy.
Love that you start praising and counting.
Next Stop: Korea Medal!
I don´t start I praise her since 15 years...
OTOH you really seem to have big problems with her...
This made me think of "the greatest of all skaters," seen here doing Prelude to an Afternoon of a Faun as an exhibition at the 1971 World Championships. John Curry says in a narration fourteen years after the filming, "You tell me afterwards if anyone has come near this kind of artistry." It's a shame he's not around so that he could finally get an affirmative answer.Regarding Kostner's LP, skating to Debussy is very hard. French Impressionistic Music, as a form, does not have western tonal direction and so it does not sound like it is going anywhere is particular. To skate to it, a skater must captivate the audience beginning to end or the audience will get bored because they will feel like the program is never going to end.
I think she'll add back the lutz and triple flip-triple toe.
This made me think of "the greatest of all skaters," seen here doing Prelude to an Afternoon of a Faun as an exhibition at the 1971 World Championships. John Curry says in a narration fourteen years after the filming, "You tell me afterwards if anyone has come near this kind of artistry." It's a shame he's not around so that he could finally get an affirmative answer.
And talking about both Debussy and John Curry, I think her Exhibition to clair de Lune is a perfect example of what John Curry said about "writing the music on the ice" :Regarding Kostner's LP, skating to Debussy is very hard. French Impressionistic Music, as a form, does not have western tonal direction and so it does not sound like it is going anywhere is particular. To skate to it, a skater must captivate the audience beginning to end or the audience will get bored because they will feel like the program is never going to end.
Conversely, Romantic Music has western tonal direction and big sweeping orchestrations that give the skater clues about when timing of movements will be most artistically effective and tells the audience when to expect the music to be done.
In the SP yes, but not in the FS. In her current FS, she has two triple flips, two triple salchows, two double axels, and two double toe loops. She can't repeat a third type of either a triple or double jump, so the most logical way for her to increase the Base Value of her jumps is simply to replace the triple toe loop in the second half of the program with a triple lutz in the first.
at least one of Mishin's students will be at the Olympics so he'll be giving her his full attention.