I never claimed that Michelle was the most original or versatile skater ever, but in comparison to Sasha, Kwan was more original and versatile than Cohen. Michelle had a knack for skating to music pieces that no one had ever heard in skating competition before. Given her comparitively shorter career to Kwan, Cohen recycled many of her programs and music pieces . . . she skated to music from Dark Eyes for 3 seasons, Malaguena for 2 seasons, and My Sweet and Tender Beast for 2 seasons. Performing to Skating's Greatest Hits or to the same music pieces over and over and over doesn't show originality or versatility. If you believe it does, then I'll simply agree to disagree with you.
I agree. Sasha had some lovely programs that she presented very well, but I don't think any of them could be seen as something unique or out-of-the-box. All of her selections were well-known or warhorses...very nice and well done programs but nothing that pushed boundaries: R&J, Nutcracker, Swan Lake, Rachmaninoff, Carmen, Malaguena. Her choices were effective but very safe.
I do think Michelle's music choices show greater versatility. She (and Lori) went for music that wasn't well known which made choreographing and delivering the program more difficult b/c they had to sell the judges and the audience on two things instead of one. Well-known music is familiar to the judges' ears so they know what's coming next. It's an easier sell for a skater...selling both the music and the program is a taller order.
Michelle stepped out of the box with Rush, A Day in the Life and Miraculous Manadrin, but IMO none more than Red Violin. Red Violin was so unique b/c there isn't a lot of music to hide behind. It takes a special kind of choreographer/skater combo to pull off a program like that and Michelle did it beautiful. That program had a completely different feel to it: soft and haunting yet still powerful. It's a masterpiece IMO.
Michelle's portfolio of programs includes classical/lyrical (Lyra, Rach), dramatic (Desdemona, Miraculous Mandarin), exotic (Salome, Taj Mahal), powerful (Tosca, Feeling Begins), contemporary (Rush, Day in the Life), and whatever you would classify Red Violin as. I think she had the ability to pull off any kind of music thrown at her...except Bolero!

I think that was the one miss in her entire career, though the original version of the program with all of Dean's choreography was pretty good.