Naumov initially planned to stay for two weeks but ultimately ended up extending his stay to six weeks and crafting both his short and free programs for the Olympic season.
“Our plans were changing on the fly and Benoît was so incredibly willing and helpful to me because he provided all the resources that I needed and he said, ‘You can stay as long as you want’,” Naumov said. “And we ended up doing that.”
While Naumov usually has a concept in mind when he begins the choreography process, he arrived in Courmayeur without any ideas for which direction to take.
“This year, I really was starting from scratch,” he said. “In the past, we would sit down and have a meeting and think about it, throw strategies out there, and we didn't obviously have that this year. And I kind of just wanted to be open, open to any possibilities.
“I came to Benoît and I said, ‘Hey, I'm not really sure what I want to do this year. I want do something great. I want to do something different and new and fresh and clean, but I don't really know where to start’, and we just got to work immediately.”
Richaud took out his phone and started playing tracks from a playlist. The answer came almost instantly. As the second option sounded over the rink’s loudspeakers – Frederic Chopin’s "Nocturne No. 20" – Naumov had his short program music picked out.
“Immediately, there's a feeling that you know that this is the one,” Naumov said. “Especially because there's no lyrics, it's that much more meaningful. It's a classic piece, and I connected with it right away.”