Such height and length. Old school jumping done to perfection 
It is nice to see that their rotation is done while about 4-6 inches above the ice.As an aside, Heoko Fischer had some lovely jumps; gorgeous loop. And that triple axel by Sabovcik
. . . The stereotypical brother sister Cutting Edge team complete with lederhosen and dirndl 
Back to axels ... I noticed that almost all these ladies competing in Euro / World / Olympic level competitions back in 60s / 70s / 80s with double axels were executing this jump with the utmost quality. Caroll Heiss the first woman to perform a double axel back in the 50s already having very beautiful one. Quite striking when you watch that especially as nowadays we have plethora of ladies excelling & possessing the whole array of more difficult jumps / jump combination but the very quality of double axel took a dive. Their predecessors from the bygone era used to have barely any triples at all but still possessing good axel technique. Nowadays we see lots of cheated technique, wobbly landing edges (sometimes even landing on the inside edge), no height, no step into it etc. Complicated transitions into the jump and arm above the had can't work as an excuse for that, it's merely a disguise to milk GOE bullets despite the fundamentals being barely acceptable (they can somehow make it count and land 90% of time).
You're probably right about it being a generational thing.
Thanks for that. They skated the original Ravensburger Waltz as an OSP, didn't they?
Yes that's right. P&G and S&S demonstrated both their dances at the 1975 Worlds during the exhibitions. (Gorshkov fell though - possibly due to the illness he'd had which forced their last minute withdrawal from that competition although they were allowed to skate not only the Tango Romantica but their usual exhibitions as well.)
6.0 from me! I love that music choice, too.
Totally, she definitely had a top 5, if not top 3, quality free skate!
Agreed. In 1983, it was really clear without the likes of 1982 Champion, Elaine Zayak (who had to withdraw) and 1981 Champion, Denise Biellmann (who had turned pro after her win) how much lower the technical jumping standard was at those world championships in Helsinki.
Seeing the Bezics use Glazunov's "The Seasons" for their own competitive program now makes a lot of sense, since excerpts from "Autumn" would later be used by Sandra Bezic as choreographer when she designed Jill Trenary's long program from 1987-88 (it was the last piece of that particular program).
Thank you! Very Interesting . . . 
This rare performance was shared by a member of the company.
Beautiful performance. Thank you for sharing.