MsZem
I see the sea
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That's not a rhythm.Hmmmm... How about a Bollywood category? Or an all-encompassing "world/folk dance" category?
But if there's a folk category, I demand an honorable mention for John Kerr's kilt.
That's not a rhythm.Hmmmm... How about a Bollywood category? Or an all-encompassing "world/folk dance" category?
Well, neither are Middle Eastern or Elvis...That's not a rhythm.
But if there's a folk category, I demand an honorable mention for John Kerr's kilt.
That's not a rhythm.
But if there's a folk category, I demand an honorable mention for John Kerr's kilt.
Feel free to make up any categories you want, this thread is all about fun! I chose to stick to prescribes rhythms of the past because honestly, it was much easier to minimize the pool for each category that way and I love the way the OSP, ODs, SDs, and RDs were trying to compare "like" programs from one another even though the ODs started to become broader and broader to the point where some SDs and RDs categories were just slightly less "free" free dances.Well, neither are Middle Eastern or Elvis...
John Kerr's kilt ALWAYS is worth a mention!
I believe John later said that not only was he told he could wear the kilt, it was suggested that he should wear a kilt. For which we are all grateful1. [tied] Sinead Kerr/John Kerr's 2008 "Scottish Folk" OD to "Erin Shore"/"Auld Lang Syne" by Robbie Burns. When the ISU announced the folk theme for the OD, I believe this is exactly what they wanted and what they intended to be repeated for the Olympics two seasons later, but well.... John Kerr proves that it's time we let men wear skirts/kilts. This is THE folk dance of all folk dances.
YESSSSSSS! I was at 2009 TEB and it was a delight, though sadly Zoe did not keep the headdress she wore there for the full season.3. [tied] Zoe Blanc/Pierre-Loup Bouquet 2010 OD to "Medieval Breton" dance set to "La Jument de Michao" by Tri Yann: It says a lot that I have NEVER forgotten this dance. I wish more teams took after them, especially the top ones.
I love this dance and I think this is probably Igor’s best work. Seeing this dance and even the Elvis FD from P/S and seeing a more recent Igor program can be used as some sort of barometer of how ice dance has evolved…whether for better or worse….For tango, I neglected to mention Punsulan & Swallow's excellent FD from 1998. I thought they should've been 3rd in Nagano behind G&P and A&P. And 2nd at Worlds behind A&P.
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That was my first time seeing that and I agree with you. I'm just of the way they really hit every nuance and accent of the music. Their choreography was so well-matched to the music, but Jamie's posture and carriage was perfect while Justin provides the right amount of support with his own great bodyline and attention to music. I always wondered if Silverstein/Pekarek should have had the career that Belbin/Agosto had (maybe even better!) if things were much better for Jamie on and off-the-ice. It's one of those things that make you wonder. Also, Igor's choreography was much better back then! Who was in charge of choreography at Canton at that time?Fun thread @VGThuy! I need to work my way through all the videos, but starting just at the very top, my favorite version of the "My Sweet and Tender Beast" waltz is this junior version by Silverstein/Pekarek. It hit the nuances of the music better than anyone, imo, and is still something I show to people new to ice dance: https://www.youtube.com/watch?v=b16CLKRIWT4
i'm sure madison chock is a lovely human, but as an ice dancing fan i much preferred emily as a skating partner for evan. alas.That was my first time seeing that and I agree with you. I'm just of the way they really hit every nuance and accent of the music. Their choreography was so well-matched to the music, but Jamie's posture and carriage was perfect while Justin provides the right amount of support with his own great bodyline and attention to music. I always wondered if Silverstein/Pekarek should have had the career that Belbin/Agosto had (maybe even better!) if things were much better for Jamie on and off-the-ice. It's one of those things that make you wonder. Also, Igor's choreography was much better back then! Who was in charge of choreography at Canton at that time?
Another lost American ice dancer to me is Emily Samuelson. I really do believe she had what it took to be the most talented female ice dancer from the generation right after Tessa/Meryl had she been able to develop more. Moving to Igor really killed her career. Not going to blame anyone though. These things happen and Evan had to do what was best for him. But when I re-watch Samuelson and what she was just able to do with with her blades and her body and with her posture/line/carriage and flexibility, she really had it all. Imagine the basic skating skills and power of Madison Hubbell, but the freedom of movement and flexibility of Madison Chock with some of the line of Maia Shibutani. That was Emily Samuelson to me...at least during her and Evan's prime. Some of the senior programs Yaro and Yuri gave her and Evan were and didn't quite show her off as well as her junior dances.
I skipped the “Broadway/Musical” category because other than Moulin Rouge (Weaver/Poje and Virtue/Moir) and La La Land (in ice dance Guignard/Fabbri’s), I don’t know if I ever really “loved” a “musical” themed dance outside of Bourne/Kraatz’s High Society.
@clairecloutier, I was thinking about your post a lot and I can’t stop watching Cappellini/Lanotte’s SD to 42nd St. Not only did it get the period right and was really one of the best SDs of that season, but…it may be the best “Broadway” program I’ve ever seen in ice dance. If you noticed, I skipped the “Broadway/Musical” category because other than Moulin Rouge (Weaver/Poje and Virtue/Moir) and La La Land (in ice dance Guignard/Fabbri’s), I don’t know if I ever really “loved” a “musical” themed dance outside of Bourne/Kraatz’s High Society. I think ice dancers are so focused on getting the elements right and not losing GOE that they can’t let loose the way you really need to for that category and unless you’re doing one of those dramatic faux opera musicals with sweeping music, it doesn’t translate with modern day ice dance too much. That is what makes Cappellini/Lanotte’s dance so good. I can see how they won Worlds on the strength of their SD. It probably was a top two SD that season quite honestly.
I want to know what you think of the Shibs’ 2011-12 FD to Glenn Miller. Obviously this is before their prime and I wish another choreographer was there to fill in some of the “gaps” that I think could have been included throughout the program to give it more choreographic character and substance (compare to the constant bouncy movement in Delobel/Schoenfelder’s OD), and they lost me with the slow section because I think it was too mature for them at that age, but I think what they did well, they did really well. I think they had the potential to do a really good swing program had they continued to develop a bit more with Igor. Once Igor left, we hadn’t seen the same sort of “busy” quality they had potential for from them again.
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Thank you so much, @VGThuy. This is a great thread.
I know you love CDs and you've posted some of them already, but this one is just.... The unison, timing, and expression are unbelievable. They got three 6.0s which was an incredible achievement in the CDs.
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Also this one (thank you @floskate)
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I have a VHS tape of T&D giving a seminar in the US, while they were still competing, and it shows them doing the Blues CD. I'm sure someone else out there must have the same tape as mine is about 18th generation or so That is an incredible performance too, and it's not even in a competition.