Rachmaninov 2 at the Olympics because of the massive rink coverage to every corner of the rink done with such seeming ease and fluidity with a range of transitions; her fluidity, flexibility in movement, erect posture and speed while running a relentless gauntlet of jumps while daring to place them against the boards; the culminating step sequence with rapid change of directions, fabulous blade work and a marvelous fan spiral and arcing arabesque, the epic range of expression from vulnerable melancholy to transcendent triumph and back to vulnerability at the end. It was the most complete performance I have ever seen and matched the circumstances of the composer when he wrote it so well, especially being performed in Russia.
Madame Butterfly at Worlds 2016 transcendent and heart rending beauty; every line, gesture, extension and movement meticulously crafted with consummate grace as her blades carve a plaintive wake that paints a compelling picture of melancholy and expectation, complete with technical excellence in the triple axel, triple flip and loop, triple flip double loop double loop tano and a fabulous change of edge spiral displaying her outstanding skating skills and expressive extension. Her fluidity matched the tempo and mood of the music beautifully with no extraneous rocking, jerking or hunching of the shoulders to build speed and the final combination spin and expressive gesture were perfection.
Others include: Nocturne both versions, Bells of Moscow at Worlds, Fantasie Impromptu in the Grand Prix Final, I Got Rhythm at 4CC's and SP at Cup of China 2015 among others.