Cachoo
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Love that he practices figures…saving a lost art…
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The series ``Masakazu Kagiyama ~ Philosophy ~'' approaches the philosophy of his father, coach Masakazu Kagiyama (51), who is in charge of coaching him, and in its seventh installment, we delve into his state of mind as he approaches the World Championships (starting March 20th, Montreal, Canada). We asked Yuma about the emotions he felt after winning the Four Continents Championship in January, the reasons for that, and his determination to win as he doesn't hide his pride.

A clip: https://twitter.com/MsNATARY/status/1786335052709949484Kagiyama skated to the opera song `Werther'' in the morning performance, showing beautiful skating. In the afternoon performance, he will perform his new program`The Sound of Silence''. This is a new piece prepared to be used for both SP and exhibition.
Yuma Kagiyama skated a new program, The Sound of Silence (choreographed by Lori Nicole).
He told a fan that he has not decided if he will make this program as SP.
(He does a reverse spin).x.com
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5 photos shared by him last week:
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ETA: Yuma spoke to Japanese media earlier this month and said he planned to perform a quadruple flip at the Olympics. He arrived in Milan yesterday morning (with Kaori, Shun, Yoshda/Morita) and they will train in Varese.Yuma Kagiyama's free skate for the 2025-2026 season is set to Christopher Tin's completion of Giacomo Puccini's unfinished opera 'Turandot'. The version Yuma skates to is a special medley arranged and recorded for him by Christopher Tin, in close collaboration with choreographer Lori Nichol.
The collaboration between Yuma Kagiyama, his choreographer Lori Nichol, and Christopher Tin on this program has been much celebrated in the figure skating world since it was announced, with Lori and Carolina Kostner (Yuma's coach) attending the recording sessions in London, and then collaborating for months afterwards to refine the music for Yuma's routine. Christopher crafted a musical arrangement around Yuma's technical and timing demands for the routine, recording extra material to smooth transitions and match the accelerated pace of his routine. Meanwhile, with libretto in hand, Lori created choreography that channels the story of 'Turandot' into each of Yuma's movements.