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Rob Brodie's most recent interview with Katherine Medland Spence: 'Always remember why I do this'
One other touch of familiarity will come with her long program. She is keeping the one she used last season, which is skated to Cody Fry’s “Photograph/Clair de Lune.” It’s a program that Medland Spence believes still has a lot of room for further growth, and that’s something she aims to explore in the new season, primarily on the components side of things.
Yet to be finalized are any kind of technical leaps Medland Spence and her camp might want to add. Last year’s rendition of the program included seven triple jumps, but the question is whether that collection will be upgraded.
“We’re looking at that right now. We’re just trying to sort that out and figure out what is the best option for me to get stuff done. We haven’t fully decided yet,” said Medland Spence. “I think we could have a Plan A and a Plan B right now, but we just want to kind of get things up and running to start with, and then see how it goes from there.”
After spending the past two seasons skating a short program that truly resonated with the country music fan inside her — it prominently featured a Louie Ashley version of the John Denver classic “Take Me Home, Country Roads” — it’s now time for Medland Spence to break out something different in that area. The new short is very early in its building stages, so she prefers to keep all of it under wraps for now (which, let’s face it, most skaters do at this time of the year. But it never hurts to ask about it, right?).