Nor do I think [Nemesis] is anywhere near [a warhorse] now. (Popular, yes). I have found that I have a hard time appreciating the versions I have seen since Nathan debuted his. It is hard when you have a certain athlete's style of movement in your head associated strongly with a piece of music. Probably if Khudaberdieva & Nazarov had skated it without my having seen Nathan's, I would have appreciated the program more. But they probably wouldn't have skated it without Nathan's program having been so successful. And there is the catch 22 with using a piece that becomes strongly identified with a specific athlete.
Yep, that's the interesting thing. A piece of music can definitely be used a few times, or once or twice before someone else comes along and uses it in a way that makes it iconic and helps garner the music (and lyrics in some cases) more widespread attention, and desire by others to try it out.
I would say that's what happened for
Nemesis when Nathan skated to it with Shae Lynn Bourne's choreo. And that's also what happened with Muse's
Exogenesis Symphony Part 3, when Jeremy Abbott skated to it with his own choreo in collaboration with Yuka Sato. The Kerrs had famously skated to Muse previously to high acclaim, but it was Jeremy who put the music on the map with his groundbreaking free skate program. As well, I would say that Savchenko/ Szolkowy put on the map,
Lilies of the Valley by Jun Miyake (from the
Pina documentary film soundtrack -- a tribute to dancer & choreographer, Pina Bausch). Of course, Jeremy Abbott came along a few seasons later and did the same music selection great justice! And later the legendary Konstantin Menshov memorably interpreted the same
Pina music cut.
Another example is,
I Put a Spell on You, as brilliantly performed by Stolbova/ Klimov. None of the many teams who have used the music since have come close to S/K's badass interpretation.
I'm also reminded of how great music from iconic singers like Elton John and The Beatles has been combined with inimitable choreo performed by talented skaters, e.g., Jeremy Abbott skating to
A Day in the Life to groundbreaking choreo by Shae Lynn Bourne. Abbott and Bourne took their interpretation to a higher level than that of Michelle Kwan and choreographer, Lori Nichol, to the same instrumental music. Currently, there's Nathan Chen skating to a
Rocketman + hip hop
Benny & the Jets fp this coming season! In addition, James/Cipres skated so definitively to Disturbed's cover of Simon & Garfunkel's
Sounds of Silence, it sparked Sui/Han to skate to a version of S&G's
Bridge Over Troubled Water later the same season. What John Kerr brought to pairs with his work for Savchenko/Szolkowy and especially for James/Cipres is so unique and mesmerizing that similar music themes and especially certain choreo elements and the movement aesthetic are being copied left and right.
As well,
Sing, Sing, Sing has been performed by a number of skaters very memorably with DTen's and JAbbott's versions sticking out most in my mind. Michelle Kwan's
Tosca performance will never die, but this season, Andrew Torgashev is trying to reinvigorate the classic. As well, Nathan is trying on
La Boheme for size in his sp.
ETA:
I can't forget to mention Torvill/Dean's
Bolero, which has been attempted by others to less than notable results. And, of course, the biggest actual warhorse of all is
Carmen (and its numerous incarnations - too many to count).