In all seriousness, Lady, Mouaden/Bigot will be in their early 20s in 2030. Talk about 2034 and 2038 maybe.
I'm with
@PRlady about Mouaden/Bigot.
2030 is their horizon. They have the goods for that and so has their coach.
Villard still has some things to solve on their way to 2030, mainly the size of their coaching team and their travel ability, tied to money.
Their core team is 2 coaches and a dance teacher. They are stretched thin during the busiest part of the season. This season, they had an additional coach (Tiffany Zahorski) from september to january. I don't know how they would have done otherwise and they can't afford more.
And it's the first season where they really (want to) go outside of Europe, which underline their growing ambition but keep them longer away from their rink and weighs on their budget. (plus their rink is 47yo old and
sometimes it shows, like when a piece of concrete from the ceiling fell on the ice in 2020).
I hope their results will draw enough money for them to have a slightly enlarged team while remaining very cost-control and family-friendly.
Their future results may depend on Arribert's capacity to solve that equation.
Zanni is another one whose future results may depend on how he will solve his own equation.
His teams are all atheticism. They need a more "dancy", nuanced input (and please, correct Karerina Mrazovka's posture / upper body). External help ? Addition to his team ? He needs to find solutions. If he does, his teams might go very far.
OTOH, Montreal remains the most ready-to-go place. They have everything.
But what they don't have are :
- the vision (and the passion) of ice-dance that Arribert has built over the years.
- the strategic vision of Barbara Piton (Mouaden/Bigot's coach) who has capitalized
1/ on old french specificities : an ice-dance school that is almost independant from figure skating (kids may start ice dance as early as they start to skate), a big solo ice-dance competitive pool (which has helped to keep many kids involved and to upscale the technical level), the influence of ballet on ice (Mouaden and Bigot also do ballet on ice, at a lesser level than Villard)
2/ on her family's dedication to ice-dance : her father is the club's head, her brother is at the same time the club's treasurer, her assistant on his spare time (he's often seen with her in comps) and probably the enabler of her project as he has many connexions (when he stopped ice-dance, he was an executive at Eurosport, then in a sport communication agency, then he became a high-level civil servant; he worked at high level in many regions and Prefectures ; while at the Interior Ministry,
he was once in charge of the security aspects of the Tour de France, then in charge of the
Gendarmerie communication; he tried to oust Gailhaguet from the FFSG's presidency in 2010,
not to avail). On a well-rounded project, he is in position to gather the structural and financial help needed.
3/ the regular competition of Villard as a model / counter-model. Villard has helped to create a french ice-dance, a school that is a whole, complex-free, who doesn't look on models to draw inspiration, neither the russians, nor the brits ... nor Montreal. And it has sunk into the majority of the french coachs' head, including Piton who was creating
mini-Gwendals and mini-Marina-Tessa-mix 10 years ago. She is not Arribert, but her choreos have become more modern, fun and fresh, age-appropriate.
4/ her development skills which she has honed for 15 years in pre-novice, before the path became clear with the death of Lyon and Gailhaguet's departure and she decided to get into the light.
On a tiny scale, Barbara Piton has been able to gather the advantages of Montreal while capitalizing on advantages they don't have.
And that, IMHO, is an unstoppable bullet train toward 2030-2034.