pETEs (Sasha Fan)
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War-horses. The circular myth of figure skating. Which are, in your opinion, the best versions of each (Carmens, Swans, Firebirds, etc.)? And why? Feel free to share videos.
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*Carmen - Sam Cesario
Over Takahashi???? Not in my mind.*Blues for Klook: Maya Usova and Alexander Zhulin
Over Takahashi???? Not in my mind.
*Bolero: Jayne Torvill and Christopher Dean
I agree with @Vash01 some of these are not warhorses, like The red violin and Blues for klook. And it doesn't feel right to say "Coldplay-any piece", because any skater who uses a new piece I will hold no grudge against (and I'm for sure no Coldplay-fan). Of course we have heard Fix you++ a little too much, but Adam used O for his birds program, it was nothing warhorsey about it.
When does a piece of music become a warhorse? How many skaters must use it? Lots of people have used Big my secret from The piano, but it's not mentioned. Is it because they spread out well during the years. I don't see it used less then for instance Meditation or Pagliacci
My pick:
Rach 2- it was maybe not in the warhorse cathegory back then, but it's my favourite-Mishkutonok/Dmitriev
When does a piece of music become a warhorse?
Is Bolero actually a war horse?
Torvill & Dean's version scared everyone away from trying it for many years, and even now there aren't that many Free Dances to it.
Kostner's version seems to be having the same effect among the Ladies.
What's crazy is that Torvill & Dean's former training partners, Regoczy & Sallay, skated to Bolero at the 1983 World Professional Figure Skating Championships in Landover, Maryland. The Hungarians' version was more Latin inspired, but I have no doubt that Jayne and Chris would have been aware of this performance.
Is Bolero actually a war horse?
Only recently did many of us find out Petrenko started his ‘94 season with a Bolero short program. After that, I can only really think of Olga Markova (‘97- VERY good short), Alexander Abt, Louann Donovan, Michelle Kwan, Elena Liashenko, Chait/Sakhnovsky before both Kostner and Savchenko/Szolkowy used it in the same season. I’m sure there are many others but we had access to much fewer programs back then.
What's crazy is that Torvill & Dean's former training partners, Regoczy & Sallay, skated to Bolero at the 1983 World Professional Figure Skating Championships in Landover, Maryland. The Hungarians' version was more Latin inspired, but I have no doubt that Jayne and Chris would have been aware of this performance.
Lysacek and Tuktamysheva also used Bolero