2025 Cranberry Cup International (August 7-10, 2025), Norwood, MA, USA

Deep knee bend to try & save the jumps, couldn't keep it up thru the end of the combo. Seems to have decent speed from what I can tell on video.
 
I quite liked Grayson Long. idk how old he is but he looks like he needs to grow into his legs a bit, however his technique looked nice and clean and he gave me something.
 
I quite liked Grayson Long. idk how old he is but he looks like he needs to grow into his legs a bit, however his technique looked nice and clean and he gave me something.
According to the International Skating Union (ISU) bio, his date of birth is October 30, 2007

The scoring software has failed to provide his score yet...
 
I wasn't watching, but he's got the Extremely Loud and Incredibly Close soundtrack in his bio.
Yep, the 9-11 movie music that Medvedeva used in 2016. Ugh. His skating is beautiful but of all the music he could have skated to, why would he pick that? :scream:

Protocols up...Kirk's 3Lo and 3T were called q. Negative GOEs.
 
Jr Men's SP results -
Pl. Name Nation TSS= TES+ PCS+ CO PR SK Ded.- StN.
1 Yanhao LI NZL 79.46 42.55 36.91 7.40 7.30 7.40 0.00 #12
2 Grayson LONG CAN 74.62 40.46 34.16 6.80 6.95 6.70 0.00 #14
3 Anthony PARADIS CAN 66.26 31.53 35.73 7.30 7.35 6.75 1.00 #4
4 David BONDAR CAN 65.19 35.87 29.32 5.65 5.80 6.10 0.00 #16
5 Caleb FARRINGTON USA 63.53 33.89 29.64 6.05 5.80 5.90 0.00 #9
6 Rui QIN CAN 59.31 29.51 30.80 6.20 6.05 6.20 1.00 #2
7 Kirk HAUGETO USA 56.63 28.16 28.47 5.75 6.00 5.30 0.00 #3
8 William CHAN CAN 56.48 27.42 30.06 5.90 5.95 6.15 1.00 #10
9 Louis MALLANE USA 55.68 28.79 26.89 5.30 5.55 5.25 0.00 #13
10 Vaclav VASQUEZ USA 53.90 27.76 26.14 5.10 5.25 5.30 0.00 #15
11 Edward VASII CAN 52.58 24.69 29.89 6.05 5.90 5.95 2.00 #5
12 Zachary LOPINTO USA 51.20 24.81 28.39 5.80 5.75 5.45 2.00 #8
13 Ryan William AZADPOUR USA 50.24 23.60 28.64 5.70 5.60 5.85 2.00 #7
14 Henry GAO USA 49.38 22.57 27.81 5.30 5.65 5.70 1.00 #6
15 Aaron KIM KOR 44.72 20.25 26.47 5.25 5.00 5.60 2.00 #1
16 Sean CHIEN TPE 43.92 22.04 22.88 4.65 4.60 4.45 1.00 #11

Judges Protocols - https://ijs.usfigureskating.org/lea...OR----QUAL000100--_JudgesDetailsperSkater.pdf
 
Yanhao's program has voice-overs throughout, and the dialogue are what you would expect from this type of music.

He wears a partially ripped, red costume that is semi-transparent and shows part of his upper body.

It is a provocative (and in a sense, unique) program.
 
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No Peacock access, so VPN it is for those in the States. works without VPN in the States.

 
YT link for women's SP:

Works OK in the USA for me so far. I hate mornings but I was hoping to catch the programs live before the USFSA replaces the music with AI slop like they did yesterday.
 
YT link for women's SP:

Works OK in the USA for me so far. I hate mornings but I was hoping to catch the programs live before the USFSA replaces the music with AI slop like they did yesterday.
I really don't understand the need for all of that. I've put up what, 6000? something videos on YT now, including pro competitions with lyrics, and I've had about 5 videos be flagged for music absolutely not being allowed anywhere in the world. Someone at USFS (and ISU) just needs to deal with the messages of 'content not allowed in X country', which is usually Russia and Belarus.

If USFS is getting revenue from their other content, then create a separate channel.
 
I really don't understand the need for all of that. I've put up what, 6000? something videos on YT now, including pro competitions with lyrics, and I've had about 5 videos be flagged for music absolutely not being allowed anywhere in the world. Someone at USFS (and ISU) just needs to deal with the messages of 'content not allowed in X country', which is usually Russia and Belarus.

If USFS is getting revenue from their other content, then create a separate channel.
It's also pretty easy to check what's going to get you a strike and what won't lol streamers do it all the time

I also noticed between skaters they are playing the same royalty-free type music that content creators use to save themselves from dealing with copyright strikes
 

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