"The Master and Margarita", the Strugatsky and "The Squid Game"
- How do you feel about your programs now?
- This season we have picked up very interesting images. About the free one I can say that this is an exact hit - exactly what I would like. There is no doubt about it at all. In addition, this is a program with a calm beginning, but a dynamic second half. That is, there is a change of image, emotions, character.
The short program has a very experimental image. Of course, all this will still be finalized and now is only the beginning of the season. Therefore, with each start, the programs should be more and more refined from all sides. Emotionally, technically, and choreographically, of course, there will be some changes.
- It is probably not easy for a 17-year-old man from a wonderful family to show the tragedy.
- For me it comes more from the inside: I have always liked not just the program as learned movements to skate, but to do it with soul, emotionally.
I read a lot, not just a book, but specifically about the image of Margarita. I was very impressed. It seems to me that I even have some common points, perhaps somewhere in my character or something I feel for myself. Therefore, I try to convey this not just faked, but with my heart. And try to invest yourself in this program.
- What was the last thing that you read or watched in your free time that made a strong impression on you?
- Recently - I read "Roadside Picnic" by the Strugatskys. An unusual piece. Quite emotional, especially the ending. In general, I was impressed.
- And in an interview with Channel One, you said that you would like to watch The Squid Game. Has it been successful since then?
- Not yet, but the desire remains. But in fact, there is so much discussion about it that I know the plot roughly, ha-ha.