Anastasia Panina's interview with Stanslava Konstantinova for MatchTV
https://matchtv.ru/figure-skating/m...lshoje_intervju_so_Stanislavoj_Konstantinovoj
Part 1
We met in a very unusual place today. Why did you choose it?
It is a small and quiet place with delicious food and good coffee. Plus, it isn't far from the rink and my home. In a word, I like it. There is also a fitness center, my sister is doing sports here, so we go here quite often.
You seem like a true Petersburgian young lady. As if you have a volume of one of the Mandelstam's books, but also that in case of danger you will be able to stand up for yourself and for the truth and justice. Is it close to the truth?
Pretty close. From the side, I may seem a little detached, because I never smile without a reason. I will never flatter or dissemble - I will say everything directly. And I can really stand up for myself, even if I look soft and silent. Mum says that I have been like that since childhood.
Probably, it isn't easy to communicate with me closely - I am not letting everyone get close to me.
Do you think it helps or hinders you in life?
On the one hand, it allows me to live in harmony with myself. On the other hand, it depends on a situation: sometimes nothing depends on you and it would be much more helpful to just accept it. I want to learn how to find the balance between these extremes.
You had very bright programs this season - “Malaguana” and “Anna Karenina”. It's difficult to choose music for the next season after such a good hit. How did you solve this problem?
I always listen to my feelings when we are choosing music. One of the main criteria is the first impression. Often by the beginning of the choreographing process I already know the way I want to see myself, and the coaches have their own ideas. So we have to put our ideas all together.
For example, my choreographer offered Anna Karenina to me. We knew from the middle of the season that we would do it. Feminine waltz wasn't something completely alien to me at that time, but was still something new. I did not mind it as I wanted to develop as a skater.
And “Malagenia” was my idea. I have heard this music many times when other skaters were skating to it, and each time there was a fire inside of me.
You are one of the few skaters who has already announced music for the new programs. Tell us about them.
In the short program we wanted to do something different from my usual expressive style with sharp hands - something gentle and smooth, and so the music could help me in this. At first we were thinking about something like Chopin - calm and melodious. I personally can imagine myself skating to any music, but the coaches know better, if it suits me.
Olga Yuryevna (Zotova - the choreographer in Valentina Chebotareva's group. - “Match TV”) brought Levashkevich's “February” - and I just exhaled. Of course, I knew this music: Yuko Kavaguti and Alexander Smirnov, Polina Tsurskaya skated to it... I really liked it. But I have never thought about it in terms of the potential music for my programs. When I realized what the coach was proposing, oh, you have no idea what eyes I had! Music hit right in the heart.
This is an absolute external calm and a strong storm inside. This music reminds me of myself.
We work a lot on the programs - not like in the past, we don't want to use any previous moves and transitions
And you chose Moulin Rouge for your free program..
I always liked El Tango De Roxxane, and I have watched the Olympic program of Tessa and Scott (Virty - Moir. - “Match TV”) for a billion times! The coaches stopped my impulse to skate to it, explaining that emotions would overwhelm me in this music. Moreover, this tango entirely, in our opinion, is hard to perceive as a program for singles skaters. It would have been a questionable choice, and we wanted a sure option.
Then I left this idea and continued to listen to the song on my playlist. Once I decided to listen to other compositions from the movie, then I looked at the Asley Wagner program. Of course, I had seen it before, but this time I was interested in looking closer to the music cuts and choreography. That program was her business card - Ashley won big medals with it and pulled herself out from not the best places after the short programs with this free program. It was clear that she liked that music, that this theme suits her and how it helps her emotionally.
We decided to try to put different parts of the music together, I brought it to the coaches, and at first they did not like it. Of course, I was very upset. Morally I have already refused this idea, but continued to play this music on my playlist. For a whole year I listened to one song after another and was sure that some day I’ll surely skate to it. As a result, the coaches and I came to a compromise. We found a beautiful music for the first part, which, according to coaches, reflects me in the Moulin Rouge. We want to make a complex, rich and feminine program.
Once you said that to achieve success, you need to go out of your comfort zone. So, where is your comfort zone?
Under the comfort zone, I meant a program I can skate in any condition. For me, this is something temperamental, passionate Spanish, something slow and with an expressive ending.
You have just described “Malaguena”.
Yes, probably. But the ending in “Malaguena” was not easy for me - it demanded clarity and restraint, control under emotions. And the slow part 100% was mine. But I understand that it is impossible to skate in the same style for all my life - with sharp hands and a frowning look.
I was told several years ago that I needed to find different images for myself. And then, honestly, I resisted a little. I thought - how so? If a person has found his own style, he has to use it. Now I understand that it is interesting to be different, there are hidden reserves inside of me, it is unwise not to use them. I have to do a lot of work on the presentation in both new programs. So there won't be a feeling as if I am wearing someone else cloths. So that the programs suit me.
In English there is an idiom about other people's shoes. Are you talking about it?
Not just some other people's things, but simply unflattering ones. I won't become worse from it, but I won't look like me anymore.
In general, I feel my emotional connection to these new programs. But, again, there is a lot of work ahead of me.
Do you already have a schedule for the holidays and pre-season preparations?
At the end of May we are going to the training camp in Kislovodsk - to work on our physical conditions - to run, jump, do all of this in the mountains. We have long wanted to go there and are glad that 2 weeks will be devoted to such a hard work. I love it all.
I also want to rest a little bit, but only for a week - in order not to relax too much, and not to gain weight. Sometimes you just need to move away from the city, from the St. Petersburg's spring, if you can call it a spring. I want to lie on the beach. We are going to Turkey with a friend of mine.
From the side it looks like Russian ladies skating will be like a meat grinder - it's hard to pick up another word. How do you feel about it from the inside?
Now I'm focused on getting better myself. This season, most of my places out of podium were not due to the high competition, but because I made mistakes. The season was ok for me, but I understand that I need to work a lot in the future. I spent these two months before the holidays very productively. Next season I want to reach a new level for myself. Of course, I don't want to give up.
You posted a video of landing a triple axel on the lounge on the social media. Usually skaters do not like to talk about jumping plans, so I’ll ask more about your feelings. What is it like - to add one more turn to the jump?
We are approaching this as if we are learning a completely new element - the triple axel, and not just adding one turn to the double. I try to very clearly distinguish them in my head.
There were many cases, when skaters started learning triple axels and in the result their double axel destabilized, but the triple never came. This is unacceptable, because next year there really will be a brutal competition. I should not have weak points.
We are preparing a jump on the floor and on the lounge, I try to get my body in shape, so that there are no serious falls and I could work on all elements , not devoting all my time and strengths only to the axel.
I look at you now and do not quite understand what do you mean by "get my body in shape".
You need to work a lot to learn a new element and to make it a part of the program. To jump it on the floor, on the lounge, a gradual transition to jumping without a lounge on the ice. We are trying now, but doing a large number of repetitions could be very traumatic. You need to prepare your body just to increase the number of repetitions - you have to be even stronger, faster, sharper, easier. I want to be able to land difficult jumps, but not to be killed.
They say that defeats and failures bring up and give impetus for further development even more than victories. How do you see your Milan experience from this point of view a year later? (Stanislava unsuccessfully performed in the free program at the World Championships in Milan, taking the 19th place. - “Match TV”)
I do not want to look for excuses. If you go out on the ice, you must do everything that depends on you. This, of course, was a disastrous performance. Frankly, I couldn’t stand back and let it go. It was like in a fog. And I was still nervous even at the first competitions this season. But I'm glad I overcame it. It was a part of my life and history, and if I had not accepted my past along with all my mistakes, I would not have accepted myself. And without the past there is no future.
My grandma always tells me - do what you must, and come what may. If today something did not work out, you need to humbly go ahead and do your job, maybe tomorrow you will have something beautiful waiting for you.
There were a lot of triggers that affected that performance. The main thing for which I can scold myself - you need to be more careful about your health. At the end of the season all injuries, illnesses and psychological difficulties become even more acute. Your leg hurts, and you think: “Well, okay, I will use some gel, go run, and everything will pass. I will think about it in the off-season.”
I had health problems due to a prolonged cold at that time. For several years, due to poor immunity, I was constantly ill and did not undergo treatment till the end. You just can not do it this way. Sometimes you need to stop and take your time to recover, and not to rush. Then there won't be any snowball problems at the wrong time.
I repeat that I am not looking for any excuses. It all happened with me, but I tried to learn a lesson.
https://matchtv.ru/figure-skating/m...lshoje_intervju_so_Stanislavoj_Konstantinovoj
Part 1
We met in a very unusual place today. Why did you choose it?
It is a small and quiet place with delicious food and good coffee. Plus, it isn't far from the rink and my home. In a word, I like it. There is also a fitness center, my sister is doing sports here, so we go here quite often.
You seem like a true Petersburgian young lady. As if you have a volume of one of the Mandelstam's books, but also that in case of danger you will be able to stand up for yourself and for the truth and justice. Is it close to the truth?
Pretty close. From the side, I may seem a little detached, because I never smile without a reason. I will never flatter or dissemble - I will say everything directly. And I can really stand up for myself, even if I look soft and silent. Mum says that I have been like that since childhood.
Probably, it isn't easy to communicate with me closely - I am not letting everyone get close to me.
Do you think it helps or hinders you in life?
On the one hand, it allows me to live in harmony with myself. On the other hand, it depends on a situation: sometimes nothing depends on you and it would be much more helpful to just accept it. I want to learn how to find the balance between these extremes.
You had very bright programs this season - “Malaguana” and “Anna Karenina”. It's difficult to choose music for the next season after such a good hit. How did you solve this problem?
I always listen to my feelings when we are choosing music. One of the main criteria is the first impression. Often by the beginning of the choreographing process I already know the way I want to see myself, and the coaches have their own ideas. So we have to put our ideas all together.
For example, my choreographer offered Anna Karenina to me. We knew from the middle of the season that we would do it. Feminine waltz wasn't something completely alien to me at that time, but was still something new. I did not mind it as I wanted to develop as a skater.
And “Malagenia” was my idea. I have heard this music many times when other skaters were skating to it, and each time there was a fire inside of me.
You are one of the few skaters who has already announced music for the new programs. Tell us about them.
In the short program we wanted to do something different from my usual expressive style with sharp hands - something gentle and smooth, and so the music could help me in this. At first we were thinking about something like Chopin - calm and melodious. I personally can imagine myself skating to any music, but the coaches know better, if it suits me.
Olga Yuryevna (Zotova - the choreographer in Valentina Chebotareva's group. - “Match TV”) brought Levashkevich's “February” - and I just exhaled. Of course, I knew this music: Yuko Kavaguti and Alexander Smirnov, Polina Tsurskaya skated to it... I really liked it. But I have never thought about it in terms of the potential music for my programs. When I realized what the coach was proposing, oh, you have no idea what eyes I had! Music hit right in the heart.
This is an absolute external calm and a strong storm inside. This music reminds me of myself.
We work a lot on the programs - not like in the past, we don't want to use any previous moves and transitions
And you chose Moulin Rouge for your free program..
I always liked El Tango De Roxxane, and I have watched the Olympic program of Tessa and Scott (Virty - Moir. - “Match TV”) for a billion times! The coaches stopped my impulse to skate to it, explaining that emotions would overwhelm me in this music. Moreover, this tango entirely, in our opinion, is hard to perceive as a program for singles skaters. It would have been a questionable choice, and we wanted a sure option.
Then I left this idea and continued to listen to the song on my playlist. Once I decided to listen to other compositions from the movie, then I looked at the Asley Wagner program. Of course, I had seen it before, but this time I was interested in looking closer to the music cuts and choreography. That program was her business card - Ashley won big medals with it and pulled herself out from not the best places after the short programs with this free program. It was clear that she liked that music, that this theme suits her and how it helps her emotionally.
We decided to try to put different parts of the music together, I brought it to the coaches, and at first they did not like it. Of course, I was very upset. Morally I have already refused this idea, but continued to play this music on my playlist. For a whole year I listened to one song after another and was sure that some day I’ll surely skate to it. As a result, the coaches and I came to a compromise. We found a beautiful music for the first part, which, according to coaches, reflects me in the Moulin Rouge. We want to make a complex, rich and feminine program.
Once you said that to achieve success, you need to go out of your comfort zone. So, where is your comfort zone?
Under the comfort zone, I meant a program I can skate in any condition. For me, this is something temperamental, passionate Spanish, something slow and with an expressive ending.
You have just described “Malaguena”.
Yes, probably. But the ending in “Malaguena” was not easy for me - it demanded clarity and restraint, control under emotions. And the slow part 100% was mine. But I understand that it is impossible to skate in the same style for all my life - with sharp hands and a frowning look.
I was told several years ago that I needed to find different images for myself. And then, honestly, I resisted a little. I thought - how so? If a person has found his own style, he has to use it. Now I understand that it is interesting to be different, there are hidden reserves inside of me, it is unwise not to use them. I have to do a lot of work on the presentation in both new programs. So there won't be a feeling as if I am wearing someone else cloths. So that the programs suit me.
In English there is an idiom about other people's shoes. Are you talking about it?
Not just some other people's things, but simply unflattering ones. I won't become worse from it, but I won't look like me anymore.
In general, I feel my emotional connection to these new programs. But, again, there is a lot of work ahead of me.
Do you already have a schedule for the holidays and pre-season preparations?
At the end of May we are going to the training camp in Kislovodsk - to work on our physical conditions - to run, jump, do all of this in the mountains. We have long wanted to go there and are glad that 2 weeks will be devoted to such a hard work. I love it all.
I also want to rest a little bit, but only for a week - in order not to relax too much, and not to gain weight. Sometimes you just need to move away from the city, from the St. Petersburg's spring, if you can call it a spring. I want to lie on the beach. We are going to Turkey with a friend of mine.
From the side it looks like Russian ladies skating will be like a meat grinder - it's hard to pick up another word. How do you feel about it from the inside?
Now I'm focused on getting better myself. This season, most of my places out of podium were not due to the high competition, but because I made mistakes. The season was ok for me, but I understand that I need to work a lot in the future. I spent these two months before the holidays very productively. Next season I want to reach a new level for myself. Of course, I don't want to give up.
You posted a video of landing a triple axel on the lounge on the social media. Usually skaters do not like to talk about jumping plans, so I’ll ask more about your feelings. What is it like - to add one more turn to the jump?
We are approaching this as if we are learning a completely new element - the triple axel, and not just adding one turn to the double. I try to very clearly distinguish them in my head.
There were many cases, when skaters started learning triple axels and in the result their double axel destabilized, but the triple never came. This is unacceptable, because next year there really will be a brutal competition. I should not have weak points.
We are preparing a jump on the floor and on the lounge, I try to get my body in shape, so that there are no serious falls and I could work on all elements , not devoting all my time and strengths only to the axel.
I look at you now and do not quite understand what do you mean by "get my body in shape".
You need to work a lot to learn a new element and to make it a part of the program. To jump it on the floor, on the lounge, a gradual transition to jumping without a lounge on the ice. We are trying now, but doing a large number of repetitions could be very traumatic. You need to prepare your body just to increase the number of repetitions - you have to be even stronger, faster, sharper, easier. I want to be able to land difficult jumps, but not to be killed.
They say that defeats and failures bring up and give impetus for further development even more than victories. How do you see your Milan experience from this point of view a year later? (Stanislava unsuccessfully performed in the free program at the World Championships in Milan, taking the 19th place. - “Match TV”)
I do not want to look for excuses. If you go out on the ice, you must do everything that depends on you. This, of course, was a disastrous performance. Frankly, I couldn’t stand back and let it go. It was like in a fog. And I was still nervous even at the first competitions this season. But I'm glad I overcame it. It was a part of my life and history, and if I had not accepted my past along with all my mistakes, I would not have accepted myself. And without the past there is no future.
My grandma always tells me - do what you must, and come what may. If today something did not work out, you need to humbly go ahead and do your job, maybe tomorrow you will have something beautiful waiting for you.
There were a lot of triggers that affected that performance. The main thing for which I can scold myself - you need to be more careful about your health. At the end of the season all injuries, illnesses and psychological difficulties become even more acute. Your leg hurts, and you think: “Well, okay, I will use some gel, go run, and everything will pass. I will think about it in the off-season.”
I had health problems due to a prolonged cold at that time. For several years, due to poor immunity, I was constantly ill and did not undergo treatment till the end. You just can not do it this way. Sometimes you need to stop and take your time to recover, and not to rush. Then there won't be any snowball problems at the wrong time.
I repeat that I am not looking for any excuses. It all happened with me, but I tried to learn a lesson.
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