Alysa Liu cheer/fan thread

I’m really disappointed that Alyssa want to this Bezos-sponsered do. I had thought she would be a better person, but apparently not.
Bezos was the sponsor the gala this year but the event has nothing to do with him; it’s a fundraiser for the Met’s Costume Institute that has been held annually for almost 80 years, long before Bezos had money to throw around. If you want to make an impact on Bezos, boycott Amazon (and Whole Foods, if you’re in the U.S.), not a charity fundraiser.

That said, the Met Gala in and of itself is one of the most indulgent, wasteful spectacles I can think of. First of all, who needs a museum dedicated to costumes, something of very little cultural value, IMO. Second of all, the gala these days seems to exist merely for preening on the red carpet in ridiculous single-wear outfits that symbolize the overconsumption of natural resources and wealth inequality that is inherent in high fashion. So, I’m not a fan of the gala, but it has nothing to do with Bezos.

As for Alysa, unlike you, I don’t think her attendance is in any way a reflection of whether she’s a good person. She’s a brand ambassador for Louis Vuitton and she was invited to the event by them to represent that brand. Unless I missed something, she wasn’t photographed with either Bezos or his plastic molded wife, so it’s not like she was promoting him.
 
First of all, who needs a museum dedicated to costumes, something of very little cultural value, IMO.
What makes costumes have less value than paintings, for example?

Could we have theater performances, musicals, movies, ballet, opera, figure skating without costumes? Sure. At the same time, I think costumes help make the performance and create the illusion, and not just for the audience. It feels different to step on stage or perform in a costume than in every day clothes; a costume is part of the character, part of the performance. It's part of the art.

Costumes also evolved through the years. I recently saw a short British video clip on YouTube where they had a look at some of Margot Fonteyn's costumes and I thought it was interesting to learn about why they used what fabric and color and what the effect was.
Before that, there was the ballet dancer who shortened her skirt to above ankle length and caused quite a stir with it because women's dresses were supposed to cover their ankles (even if her name now escapes me and I'm too lazy to look it up).
And before that, men were dancing female roles which would have been reflected in costumes as well since they're built differently.

My granddad's partner was a costume designer for the Friedrichstadtpalast which was the theater in East Berlin. And yet, they didn't have big budgets or access to the same fabrics and accessories the west had access, too. So, they had to improvise and find alternative ways to create the costumes the Friedrichstadtpalast was and is known for.

That's just a small area of costumes.

I think there's a lost of history in costumes and based on the above, if I had to make a comparison and determination about cultural value, I'd say costumes have more cultural value than paintings. Considering how many museums dedicated to paintings there are, why not have a museum for costumes? (For the record, I think paintings have their place in culture, too. All art forms have, in my opinion; they all contribute in their own unique way).
 
What makes costumes have less value than paintings, for example?

Could we have theater performances, musicals, movies, ballet, opera, figure skating without costumes? Sure. At the same time, I think costumes help make the performance and create the illusion, and not just for the audience. It feels different to step on stage or perform in a costume than in every day clothes; a costume is part of the character, part of the performance. It's part of the art.

Costumes also evolved through the years. I recently saw a short British video clip on YouTube where they had a look at some of Margot Fonteyn's costumes and I thought it was interesting to learn about why they used what fabric and color and what the effect was.
Before that, there was the ballet dancer who shortened her skirt to above ankle length and caused quite a stir with it because women's dresses were supposed to cover their ankles (even if her name now escapes me and I'm too lazy to look it up).
And before that, men were dancing female roles which would have been reflected in costumes as well since they're built differently.

My granddad's partner was a costume designer for the Friedrichstadtpalast which was the theater in East Berlin. And yet, they didn't have big budgets or access to the same fabrics and accessories the west had access, too. So, they had to improvise and find alternative ways to create the costumes the Friedrichstadtpalast was and is known for.

That's just a small area of costumes.

I think there's a lost of history in costumes and based on the above, if I had to make a comparison and determination about cultural value, I'd say costumes have more cultural value than paintings. Considering how many museums dedicated to paintings there are, why not have a museum for costumes? (For the record, I think paintings have their place in culture, too. All art forms have, in my opinion; they all contribute in their own unique way).

I enjoyed your post and was thinking about this year's gala. I'm not opposed to having a blast and going over the top but I was struck by the simple beauty of Ayo Edibiri's gown with it's gorgeous flow. I wondered if the designer saw a particular statue.
 
What makes costumes have less value than paintings, for example?

Could we have theater performances, musicals, movies, ballet, opera, figure skating without costumes? Sure. At the same time, I think costumes help make the performance and create the illusion, and not just for the audience. It feels different to step on stage or perform in a costume than in every day clothes; a costume is part of the character, part of the performance. It's part of the art.

Costumes also evolved through the years. I recently saw a short British video clip on YouTube where they had a look at some of Margot Fonteyn's costumes and I thought it was interesting to learn about why they used what fabric and color and what the effect was.
Before that, there was the ballet dancer who shortened her skirt to above ankle length and caused quite a stir with it because women's dresses were supposed to cover their ankles (even if her name now escapes me and I'm too lazy to look it up).
And before that, men were dancing female roles which would have been reflected in costumes as well since they're built differently.

My granddad's partner was a costume designer for the Friedrichstadtpalast which was the theater in East Berlin. And yet, they didn't have big budgets or access to the same fabrics and accessories the west had access, too. So, they had to improvise and find alternative ways to create the costumes the Friedrichstadtpalast was and is known for.

That's just a small area of costumes.

I think there's a lost of history in costumes and based on the above, if I had to make a comparison and determination about cultural value, I'd say costumes have more cultural value than paintings. Considering how many museums dedicated to paintings there are, why not have a museum for costumes? (For the record, I think paintings have their place in culture, too. All art forms have, in my opinion; they all contribute in their own unique way).
The Costume Institute is NOT “costumes.” It is all forms of garb with historical significance. I don’t know why they call it “costume.”
 
I was listening to the Yenta podcast, which is hosted by two Jewish lesbian comics, Raye Schiller and Antonia Lassar. I'm not sure which voice is whose, but they were talking about doing shows for Jewish congregations, customizing the material based on the expect crowds. She was told right before she was going stage that they had invited all of the teenagers in their Hebrew School to attend, and then they seated them all in the fronts rows.

She said that teenagers were not her audiences, and that she didn't really know how to talk to them, but from her current material, she said she is "obsessed of telling the story of Esther in a way that panders to teenagers as much as possible: Haman in the labubu, Queen Esther is the alternative figure skater with the stripy hair*, and Mordechai is the numbers 6-7."

*At which point the other host comic interjected, "I love her!"
 
Here’s a short clip of Alysa presenting:


And here’s a brief interview with Alysa before that on the red carpet:

 
The Costume Institute is NOT “costumes.” It is all forms of garb with historical significance. I don’t know why they call it “costume.”
I listened to a podcast recently about the history of the Met Gala and the Costume Institute. It was fascinating. Certainly gave a different perspective on it.
 
Alice Park wrote Alysa's piece (as well as Ilia's) for TIME's "The 100 Most Influential People in Sports 2026" (June 9, 2026): https://time.com/collection/time100-sports/2026/alysa-liu/

July 10th:
As guests walk down the red carpet the evening of July 16 [in NYC], they’ll be interviewed by hosts Speedy Morman and Ally Love. And the public will get an up-close-and-personal look at those conversations—and maybe a few lighthearted games that capture the competitive spirit of the TIME100 Sports attendees—through a livestream.
You can tune in starting at 6:45 p.m. ET on TIME’s YouTube channel, X page, and TikTok feed.
 
Will Alysa be in NYC tomorrow before flying to Las Vegas for Flavor Flav's SHE Weekend? https://people.com/see-everything-planned-for-flavor-flav-she-weekend-exclusive-12018654
It’s never too late to celebrate the women of the 2026 Winter Games.
After Flavor Flav went viral in February for announcing that he wanted to celebrate the USA Women’s Hockey team and all the star medalists from the Olympics and Paralympics, his vision has finally come to life.
Taking place from Thursday, July 16 to Sunday, July 19 in Las Vegas, SHE Weekend is the first-of-its-kind celebration featuring more than 100 athletes, including Alysa Liu, Amber Glenn, Breezy Johnson, Brittany Bowe, Hilary Knight and Madison Chock.
Fans can expect the celebration to begin at 7 p.m. on July 16 at Toshiba Plaza, with live entertainment.
Important ice cream update :D:
Oakland institution Fenton’s Creamery (featured at the end of Pixar’s Up if you don’t blink) has offered Alysa free ice cream for life. 😁 I hope she takes them up on it!
"Oakland pride never tasted so sweet. 🥇🍨✨" (Fenton's Creamery's Feb. 25th post):
On June 15 Fenton's Creamery shared this photo of Alysa:
Question: Has Alysa Been In Yet?

Anseer: YES! Finally!

We get asked all the time if hometown skating star and Gold Medal Champion Alysa Liu has stopped by to try her signature Fentons flavor, Alysa’s Gold .

The answer is YES! 🎉🍨

Alysa came in for takeout tonight, keeping things low-key with a baseball cap, but was kind enough to snap a photo with Luis. Best of all, she loved her flavor! ❤️

Even sweeter? She promised she'll be back for more. 😋

Congratulations again, Alysa, and thank you for visiting Fentons. We're proud to celebrate your incredible achievement with a flavor created just for you!

Have you tried Alysa's flavor yet?

👉 Stop by and taste it for yourself before your next visit turns into a gold medal moment.

🍨 Alysa’s Gold is made of golden Oreos folded into caramel ice cream with a caramel swirl.
 
I was just coming to post the same thing @Sylvia. This is very cool for Alysa and for figure skating.

Here's some of her speech:


ETA: Actually, that's pretty much the entire speech. Here it is on youtube:

 
A collection of ESPY clips making rounds on twitter (update account made it easy to compile)---

Programs are done and she was at a training camp: https://x.com/UpdatingLiu/status/2077592484763308154?s=20
Presenting Billie Jean King youth leadership award: https://x.com/UpdatingLiu/status/2077584705671639333?s=20
Falling at Lombardia was embarassing: https://x.com/UpdatingLiu/status/2077582931468353715?s=20
Lacrimosa song choice for being cursed: https://x.com/UpdatingLiu/status/2077580842474377545?s=20
Wants to play tennis at LA28, snowboard in 2030: https://x.com/UpdatingLiu/status/2077576882942341358?s=20
Re-united with Madi Chock: https://x.com/UpdatingLiu/status/2077551057912185161?s=20
Meeting Steph Curry: https://x.com/UpdatingLiu/status/2077581424610185672?s=20
Meeting Lindsey Vonn: https://x.com/UpdatingLiu/status/2077581872947700135?s=20
Best sports moment of the year, the team event: https://x.com/UpdatingLiu/status/2077603970462159291?s=20
Pictures with the award: https://x.com/UpdatingLiu/status/2077582524503519366?s=20
 
A collection of ESPY clips making rounds on twitter ...
Programs are done and she was at a training camp:
Wants to play tennis at LA28, snowboard in 2030:
Meeting Steph Curry:
Thanks! For those who prefer not to click on X - here are links to the 3 Entertainment Tonight interview clips:
As well as posing in her dress on the red carpet: https://www.instagram.com/reel/Da1jo76Ojvk/

ETA:
Re-united with Madi Chock:

ETA 2 - Olympian & pro ice hockey player with Alysa & Billie Jean King!

ETA 3 - People article with photos: https://people.com/alysa-liu-best-breakthrough-athlete-espys-2026-12020283
Liu was styled in a rich chocolate brown gown from Louis Vuitton. The floor-length style featured a dramatic cowl neckline and a low back. This risque detail allowed her accessories to shine, namely a beaded rosary-esque cross necklace that dangled behind her, swaying as she moved across the carpet.
This styling trick can be traced all the way back to 1964, when Shirley MacLaine first popularized the low-back dress and jewelry combo in her film “What a Way to Go!”
 
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Alysa's post about her ESPYs look on Wednesday:

Alysa thanks her team at last night's Time100 Sports Gala: https://www.youtube.com/shorts/kxZWq3vHuns

She wore Nicholas Oakwell Couture for the Time100 Sports red carpet ("A black lace, corseted cheongsam fishtail gown from the ‘Waldorf Astoria’ collection, inspired by Anna May Wong, the first Chinese American film star in Hollywood"):

Mikaela Shiffrin yesterday at the Time100 Sports Gala red carpet:

Alysa & Madi Chock chatting with Prince Harry! https://www.gettyimages.com/detail/...a-liu-and-madison-chock-news-photo/2286444972
 
Alysa made it to Flavor Flav's She Weekend in Las Vegas yesterday: Getty Images

Dessert at the Cosmopolitan with Amber, Madi & Evan:

ETA:

Backstreet Boys last night at the Sphere:

With KÀ by Cirque du Soleil on Saturday:
 
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Nike Studio Fleece, available now (Alysa with her clones :D):

Both collections are on display in a joint campaign that underscores Nike’s connection between sport and everyday life, featuring Nike athletes Alysa Liu, Jazzy Davidson, Sha’Carri Richardson, Moses Itauma, and Lauren James and Reece James, alongside multihyphenate artists Karina and Yeat.
 
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