Icetalavista
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I think the “dissected” dress is quite pretty. Very skating. And I love that a woman with a frenulum piercing is walking the Met gala “catwalk”
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Bezos was the sponsor the gala this year but the event has nothing to do with him; it’s a fundraiser for the Met’s Costume Institute that has been held annually for almost 80 years, long before Bezos had money to throw around. If you want to make an impact on Bezos, boycott Amazon (and Whole Foods, if you’re in the U.S.), not a charity fundraiser.I’m really disappointed that Alyssa want to this Bezos-sponsered do. I had thought she would be a better person, but apparently not.
What makes costumes have less value than paintings, for example?First of all, who needs a museum dedicated to costumes, something of very little cultural value, IMO.
What makes costumes have less value than paintings, for example?
Could we have theater performances, musicals, movies, ballet, opera, figure skating without costumes? Sure. At the same time, I think costumes help make the performance and create the illusion, and not just for the audience. It feels different to step on stage or perform in a costume than in every day clothes; a costume is part of the character, part of the performance. It's part of the art.
Costumes also evolved through the years. I recently saw a short British video clip on YouTube where they had a look at some of Margot Fonteyn's costumes and I thought it was interesting to learn about why they used what fabric and color and what the effect was.
Before that, there was the ballet dancer who shortened her skirt to above ankle length and caused quite a stir with it because women's dresses were supposed to cover their ankles (even if her name now escapes me and I'm too lazy to look it up).
And before that, men were dancing female roles which would have been reflected in costumes as well since they're built differently.
My granddad's partner was a costume designer for the Friedrichstadtpalast which was the theater in East Berlin. And yet, they didn't have big budgets or access to the same fabrics and accessories the west had access, too. So, they had to improvise and find alternative ways to create the costumes the Friedrichstadtpalast was and is known for.
That's just a small area of costumes.
I think there's a lost of history in costumes and based on the above, if I had to make a comparison and determination about cultural value, I'd say costumes have more cultural value than paintings. Considering how many museums dedicated to paintings there are, why not have a museum for costumes? (For the record, I think paintings have their place in culture, too. All art forms have, in my opinion; they all contribute in their own unique way).
The Costume Institute is NOT “costumes.” It is all forms of garb with historical significance. I don’t know why they call it “costume.”What makes costumes have less value than paintings, for example?
Could we have theater performances, musicals, movies, ballet, opera, figure skating without costumes? Sure. At the same time, I think costumes help make the performance and create the illusion, and not just for the audience. It feels different to step on stage or perform in a costume than in every day clothes; a costume is part of the character, part of the performance. It's part of the art.
Costumes also evolved through the years. I recently saw a short British video clip on YouTube where they had a look at some of Margot Fonteyn's costumes and I thought it was interesting to learn about why they used what fabric and color and what the effect was.
Before that, there was the ballet dancer who shortened her skirt to above ankle length and caused quite a stir with it because women's dresses were supposed to cover their ankles (even if her name now escapes me and I'm too lazy to look it up).
And before that, men were dancing female roles which would have been reflected in costumes as well since they're built differently.
My granddad's partner was a costume designer for the Friedrichstadtpalast which was the theater in East Berlin. And yet, they didn't have big budgets or access to the same fabrics and accessories the west had access, too. So, they had to improvise and find alternative ways to create the costumes the Friedrichstadtpalast was and is known for.
That's just a small area of costumes.
I think there's a lost of history in costumes and based on the above, if I had to make a comparison and determination about cultural value, I'd say costumes have more cultural value than paintings. Considering how many museums dedicated to paintings there are, why not have a museum for costumes? (For the record, I think paintings have their place in culture, too. All art forms have, in my opinion; they all contribute in their own unique way).
I listened to a podcast recently about the history of the Met Gala and the Costume Institute. It was fascinating. Certainly gave a different perspective on it.The Costume Institute is NOT “costumes.” It is all forms of garb with historical significance. I don’t know why they call it “costume.”
As guests walk down the red carpet the evening of July 16 [in NYC], they’ll be interviewed by hosts Speedy Morman and Ally Love. And the public will get an up-close-and-personal look at those conversations—and maybe a few lighthearted games that capture the competitive spirit of the TIME100 Sports attendees—through a livestream.
You can tune in starting at 6:45 p.m. ET on TIME’s YouTube channel, X page, and TikTok feed.
Important ice cream updateIt’s never too late to celebrate the women of the 2026 Winter Games.
After Flavor Flav went viral in February for announcing that he wanted to celebrate the USA Women’s Hockey team and all the star medalists from the Olympics and Paralympics, his vision has finally come to life.
Taking place from Thursday, July 16 to Sunday, July 19 in Las Vegas, SHE Weekend is the first-of-its-kind celebration featuring more than 100 athletes, including Alysa Liu, Amber Glenn, Breezy Johnson, Brittany Bowe, Hilary Knight and Madison Chock.
Fans can expect the celebration to begin at 7 p.m. on July 16 at Toshiba Plaza, with live entertainment.
:Oakland institution Fenton’s Creamery (featured at the end of Pixar’s Up if you don’t blink) has offered Alysa free ice cream for life.I hope she takes them up on it!
On June 15 Fenton's Creamery shared this photo of Alysa:"Oakland pride never tasted so sweet." (Fenton's Creamery's Feb. 25th post):
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Fentons Creamery on Instagram: "Oakland pride never tasted so sweet. 🥇🍨✨ On Saturday, we created a brand new flavor in honor of @alysaxliu… Alysa’s Gold. This golden creation features crushed Golden Oreos folded into a rich caramel ice cream base w
1,282 likes, 23 comments - fentons_creamery on February 25, 2026: "Oakland pride never tasted so sweet. 🥇🍨✨ On Saturday, we created a brand new flavor in honor of @alysaxliu… Alysa’s Gold. This golden creation features crushed Golden Oreos folded into a rich caramel ice cream base with a...www.instagram.com
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Thanks! For those who prefer not to click on X - here are links to the 3 Entertainment Tonight interview clips:A collection of ESPY clips making rounds on twitter ...
Programs are done and she was at a training camp:
Wants to play tennis at LA28, snowboard in 2030:
Meeting Steph Curry:
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Re-united with Madi Chock:
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Liu was styled in a rich chocolate brown gown from Louis Vuitton. The floor-length style featured a dramatic cowl neckline and a low back. This risque detail allowed her accessories to shine, namely a beaded rosary-esque cross necklace that dangled behind her, swaying as she moved across the carpet.
This styling trick can be traced all the way back to 1964, when Shirley MacLaine first popularized the low-back dress and jewelry combo in her film “What a Way to Go!”
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They sure are: Here is another angle and her hair is styled beautifully.Alysa’s stylists are serving her well. She looks happy in all her outfits.
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Both collections are on display in a joint campaign that underscores Nike’s connection between sport and everyday life, featuring Nike athletes Alysa Liu, Jazzy Davidson, Sha’Carri Richardson, Moses Itauma, and Lauren James and Reece James, alongside multihyphenate artists Karina and Yeat.