2026-27 Program Music and Choreographers

Reagan Moss/Jakub Galbavy USA (Pairs)
SP - "September" by Earth, Wind & Fire

I hope they do it justice and that their rink mates appreciate the dance break during their sessions. I can not listen to EWF without 😊
 
Sophie Joline von Felten
SP: Michael Jackson medley
Choreographer: Haus of Diamonds (Gregory/Petukhov)
 
Sonja Hilmer posted a clip from her long program. (I think the ending is cool.)

She's skating to selections from the How To Train Your Dragon soundtrack: "Stoick's Ship," "For The Dancing And The Dreaming," "Where No One Goes," and "Coming Back Around."


 
Sarah E reminds me of Gracie Gold in a lot of ways as a skater. Athletic, big jumps, nice lines, but not really a musical skater, at least in competition. The focus seems to be on the athletics. Frank helped Gracie polish the edges. Not sure if Ilia's parents can pull off the same trick with her. While Ilia has improved artistically, he's still far from the most interpretive guy out there.
 
Joti Polizoakis choreographed the new free skate for Karina Akopova and Nikita Rakhmanin last week in Yerevan. The music choice is not public yet.

 
Sarah Everhardt

FS - Rain, In Your Black Eyes
Choreo by Lori Nichol and Carolina Kostner

 
Sarah Everhardt

FS - Rain, In Your Black Eyes
Choreo by Lori Nichol and Carolina Kostner

I feel a Nikodinov 2000 Skate America transformation coming
 
I feel a Nikodinov 2000 Skate America transformation coming

Impossible. The Queen did not reinvent her skating and her look with a war🐴

Switching to coach Elena Tcherkasskaia was rather unexpected, surprising, and not your typical Power Top 3 choreographer/coach. That was the major impact on her transformation.
 
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When there have been huge transformations in the past (Nikodinov in 2000/2001, Kwan in 95/96), I think it's easy to forget how good those skaters were in the previous season. They just needed the last layer to make the fabulous cake. Kwan may have looked like a little girl at 1995 worlds, but the skating was actually very good. Excellent line, she was musical, she had expression, even though it may have been undercooked a bit. It's not like she went from someone with no redeeming qualities to an artist overnight. The base was all there.

ETA: I feel similar about Nikodinov. She was saddled with horrible programs and bad costuming for years, but even going back to 1997 nationals, she was clearly someone with all the basics to be a magnificent skater. It was similarly to Kwan, all there just under the surface waiting to be polished.

I'm not sure Sarah is at that point. There is a ton of aesthetic work to be done on her skating, and she isn't really capable right now of emoting even a little bit. I applaud loudly that she is clearly trying to get to a better place artistically, but I am not really expecting a huge transformation because she wasn't starting from a point that can get her there. But she's aiming higher and I'm sure this will push her to grow.

I am a little leery of a Lori program for her though. Lori isn't a choreographer who excels when the product in front of her isn't totally cooked yet (IMO of course). But she's pulling out all the stops and I'm excited to see how it looks this coming season.
 
Put some sunglasses on her and have her skate to the matrix.

Not everyone develops into an emotive, hyperfeminine balletic dancer, nor should they.

You can be engaged in your music and show great quality of movement without a traditional US LADY program.

With her Eastern European heritage and Russia's recent tradition of more modern, non-warhorse choreo for ladies, I'm curious what a Russian / Eastern European choreographer could do for her.
 
Put some sunglasses on her and have her skate to the matrix.

Not everyone develops into an emotive, hyperfeminine balletic dancer, nor should they.

You can be engaged in your music and show great quality of movement without a traditional US LADY program.

With her Eastern European heritage and Russia's recent tradition of more modern, non-warhorse choreo for ladies, I'm curious what a Russian / Eastern European choreographer could do for her.
She is a fan of Evgenia Medvedeva. Evgenia is starting to choreograph a couple of skaters. She would be a great choice because Evgenia could help her with hair and costumes, too.
 
What I like about a transformation is that it’s actually a transformation. When Angela re-emerged that year, I had to do a double take, her body and physique were different. Her hairstyle was completely different. I remember staring at the TV screen like…. who is this… she debuted with a coach and a choreographer that seem to be built in heaven for her, and whom I never had heard of. And then came out with programs that accentuated a style that was innate and natural in her that she had not tapped into yet. It was truly remarkable.
 
Oona Brown/Gage Brown (USA)
FD: The Queen's Gambit soundtrack
 
Oona Brown/Gage Brown (USA)
FD: The Queen's Gambit soundtrack
I love this. I love this soundtrack, I love it for them (and coincidentally, I was just rewatching this series this week).
 
Mone Chiba (JPN)
SP: James Bond
Choreographer: Jeffrey Buttle

FS: "Clair de Lune" by Debussy
Choreographer: Kaitlyn Weaver

 
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Ikura Kushida/Koshiro Shimada (JPN)
RD: "And the Waltz Goes On"/"Libertango"
Choreographer: Cathy Reed

FD: Akram Khan's Giselle
Choreographer: Kaitlyn Weaver

 
Mao Shimada (JPN)
SP: "Between Two Worlds" by Mili
Choreographer: Kana Muramoto

FS: "Waloyo Yamoni" by Christopher Tin
Choreographer: Shae-Lynn Bourne

Haein Lee (KOR)
FS: The Great Gatsby soundtrack
Choreographer: Yeaji Shin

Utana Yoshida/Masaya Morita (JPN)
RD: "Danse Macabre"/"Carnival Chant"
Choreographer: Cathy Reed
 
Mei Okada (JPN)
SP: "Hernando's Hideaway/Milonga de mis amores"
Choreographer: Kana Muramoto

FS: The Phantom of the Opera
Choreographer: Kaitlyn Weaver
 

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