The problem with J Law, IMO, is that she doesn't have much teleprompter ability. I saw her in person back when she was promoting Winter's Bone, and she had to read something off a teleprompter, but she kept stopping and giggling and apologizing for stumbling over her words. I think some basic teleprompter training would make her a much better SNL/Oscars/general host.
Although, I must say, I wish she'd been a little classier and not flipped off the photographers after winning her award.
I laughed at Seth MacFarlane's jokes because I thought they were funny. The MAJORITY of the nudity he cited in that song was gratuitous, TBTH. Were there rape scenes in there? Yes, but that had little to do with the point of the song--the idea was, "what's the most offensive thing he could possibly do?" I think we have the answer.
Also, I thought his Ted routine (the Jewish one) was hysterically funny. My big Jewish family and I were laughing so hard. On that one, we were laughing because we're LA people and it's so true--entertainment is full of Jews, and we thought it was clever!
It's just annoying because there's literally no joke anyone can make anymore. A Jewish joke offends the ADL; an African-American joke offends the NAACP; a "misogynistic" (and I'm putting that in quotes because I really think people missed the point here) joke gets feminists up in arms; there is NO acceptable joke.
At least no one can be offended that he excluded their minority.
ETA: I do consider myself a feminist. But I'm also a very young feminist in an era when stuff like this comes out, and I'm willing to bet that Seth MacFarlane was not thinking along the same lines as these a*******.



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at the Ted/Wahlberg Jewish jokes. And it's not up to some self-important idiot at the New Yorker to tell me what is and isn't anti-Semitic. It was hysterical and rather close to the truth as Jews are over-represented in Hollywood.
And then you don't have to make Kirsten Chenowith sing over the credits, either!
over Fassbender. She's barely in Like Crazy and was really, really wasted there IMO. Having unfortunately not seen SLP due to my time abroad, I will agree that of the movies I've seen - which is, I believe, all of them except The Beaver (I can't do Mel Gibson with a hand puppet for 2 hours, I mean really?), SLP and The House At The End Of The Street - Winter's Bone and The Burning Plain are her two best performances. I saw both of those on Netflix instant, so they should still be there.
