She had another national competition during this weekend.
They only performed the free skatings and she got 5th with 64.65 points(TES 27.33, PCS 38.32).
She received the highest PCS with the only 5's SS in this event, but not enough for her to win.
She will be 32 December 31. Happy Birthday!!!!. I have no idea what she is thinking or how she sees things, but I can't help but be concerned that she is suffering from some kind of illness. There is such a disconnect with reality.
This "kick 'em when they're down!!!" game is FUN! Luckily for us we all own steel-toed boots. Otherwise there'd be quite the crowd at the Emergency Room!
I'm off to the Patrick Chan threads...where you can watch a molehill become a mountain in seconds!!!
Maybe she just likes to skate and compete. Who are we to tell any skater when they have to stop taking a shot at it?
Haunting the Princess of Pink since 20/07/11...
Just out of curiosity, is she both coaching and competing or just skating? I can see some coaches still competing to some extent (like Wesley Campbell this year, Jason Wong a few years ago)
Poor poor Fumie. I used to laugh at her skating. Didn't she attempt a forward inside layback?!?!?!? It was as ugly as it sounds. She'd have the worst choreo (to Lori NICHOL!!!), like even Lori couldn't work her magic on poor old Fumie. But she had amazing bows. I remember a Japanese broadcast where the announcers were saying you can tell she is an artist by her dramatic bows. COUGH. Unfortunately if she put half into her choreography during the program than she did during her bows, maybe her Swan Lake would have read. So I'd always joke with friends about Fumie that she sucks but she gives SERIOUS BOW. She's got the eyebrow lift, that look of 'suffering for my artistry' when she's bowing after a two triple performance. Not a fan, never was. She could never even straighten her knee let alone her ankle. She flutzed, she had almost zero flexibility. Come on. I'm not trying to be critical, but let's get real with her.
Last edited by Alex Forrest; 12-17-2012 at 08:35 PM.
If that's you not trying to be critical, I'd hate to see what you're like when you are...
As long as "poor Fumie" loves what she does, I don't think she's poor at all. Certainly not as poor as those who get their jollies from sneering at others.
Charter member of the "We Always Believed in Ashley" Club
Alas her determation which led her to her fine overachieving career, is now leading her down an increasingly turbulent and now borderline self sabatoging path. It is one thing to skate for the love of it, but to be a regional level skater at this point and be talking about the Olympics, and talks a few years ago she had bankrupted her dad to keep skating, and passed up on a potentially fine and lucrative show career just for this........It is sad to be honest, no other way to look at it.
Some of her earlier programs were wonderful. Her Moonlight Sonata and Carmen Suite were stunning.She'd have the worst choreo (to Lori NICHOL!!!), like even Lori couldn't work her magic on poor old Fumie.
All true. But she was never supposed to be a Cohen. Just like you wouldn't pick on Yoshie Onda's foot position. She was always going to be half Kwan and half Slutskaya. This was how she rose to the podium. She couldn't out-Kwan Kwan and couldn't out-Skutskaya Skutslaya, so she out-Slutskaya-ed Kwan with her spins and out-Kwan-ed Slutskaya with presentation.She could never even straighten her knee let alone her ankle. She flutzed, she had almost zero flexibility.
Suguri may not have been able to beat Kwan or Slutskaya (other than 2004), but she has beaten Cohen and Arakawa numerous times who in turn have beaten Kwan and Slutskaya.
Really, how about letting people have their fun? Even if that means going all judgmental and insulting for no good reason
Somehow, going through this thread feels a bit like I imagine watching a person executed by guillotine must have been, with the little old ladies sitting all day nearby gossiping and enjoying the blood all while continuing their knitting.....
Arakawa was a full-time student at a tough private university for much of her later skating career, and, like Sebestyen, was rarely given credit for the quality and power of her jumps.
She came through when Kwan, Cohen, and Slutskaya faltered. There was no less pressure on her in Torino; she was in a virtual tie with Cohen and Slutskaya after the SP, and Japan had yet to win a medal; it was all on her shoulders. ruled!
"This, after all, is opera, opera in New York, not some dainty pastime like professional hockey..." -- Chip Brown, NYT Magazine 24 Mar 13