Last edited by literaryfreak; 10-20-2012 at 08:17 AM.
The variety in Meryl's costumes has sort of taken a hit over the last three seasons. She wears beautiful things but three purple dresses with a similar silhouette in a row (I initially thought her DF purple dress was her Golden Waltz compulsory dress until I paid closer attention to the color/details), as well as three burgundy/red dresses (POTO/tango/this) in a row do end up running together. Their earliest senior costumes had the most interest when compared with these later costumes.
Again, these costumes are all lovely, but I do get excited to see what the teams will wear and how creative they get, and it's always a slight shame that there isn't more contrast from Meryl between one season and the next. Still, I don't hate it (and I didn't even think of W&P until it was mentioned here).
But I reckon the more important thing is the strength of the actual program and I should be grateful for what it seems we're going to be delivered this year.
Meryl's dress is very red, when viewed in proper lighting: http://photography.ice-dance.com/2012-13/12SA/DPractF/
She changes it up a lot, however. I wouldn't be surprised if we see 3-4 different dresses from here again this season, lol.
"He's so approachable and if she were anymore beautiful, she wouldn't look real." - Scott Hamilton on Meryl and Charlie
Meryl Davis and Charlie White - 2011 World Ice Dance Champions and 2013 World Ice Dance Champions!
I agree. It looks to me like it will be a combined lift, straightline in that position plus the rotational lift from last season.
charlie does show more subtle movements in this dance which enhance his expression.
More variety in color would be preferable, to be honest I was so distracted by the quality of movement I didn't actually hone in on her costume. I loved the blue dress last year and would pray every competition that she would wear it for DF. I think an emerald green would work nicely for this dance *but* ironically I sort of love the mood the burgundy sets.
Weird, but I kind of like the exposed tummy thing Charlie has going on...it works. I'm just so proud of him though. The beautiful lines he's getting with his back and following through with his legs is really just...so much more. If they can match their expression to their athleticism, they could be epic. Truly epic. I hope they keep skating until they peak, even if that's post Sochi.
Last edited by Jessiebanana; 10-20-2012 at 05:45 PM.
i do agree that charlie is showing more extension in this program. i just wish that whoever choregraphed their program would give more space (even in this day and age of CoP) in their programs that would allow d/w to hold their positions just a bit longer, especially their arm and leg positions. it would make them look less frenetic (to which i admit that d/w still do) and more controlled. i know people will hold it as d/w having more abandon, but i believe that that expression of abandon would be magnified by having some control in it.
That might actually happen zilam98. They often uncomplicate their programs a bit. It was very necessary for their tango...which was still crazy difficult. I reserve judgement until I see the entire program, but I actually thought they had a lot of nice holds and extensions that have been missing from their programs. Control is hard to judge in a run through IMO.
Noticed this quote from Meryl yesterday at http://skatingmagazineblog.com/2012/...merica-friday/
I don't think it has been discussed here?“We’ve been through a lot this season,” Davis said. “We’re trying to stand together both on and off the ice. We want to look like a unit when we step out onto the ice and we want everyone to take notice of that as soon as they see us, as soon as our names are called.”
Anyways, I think this quote connects the dots a little bit between their more intimate on-ice look when they aren't actually skating in the practice run-through, and their comments about increased connection that they gave during the teleconference.
It makes sense to me. If one of the focuses of this year's FD is on emotion and connection (with each other and the audience) then it would make sense that they would want to stay in that headspace and continue to create that mood even during the practice run-through. I certainly noticed it and it makes me excited to see what might go into those "blank" spaces in the actual FD.
So worth the wait! Thanks Meryl and Charlie.
Love the new SD!!