Question, does Igor's wife teach at Artic?
"awwww....shades of Janet Lynn" - Dick Button on anyone who makes more than one mistake in their program.
Regarding Igor's record as a developmental coach, he teamed Belbin and Agosto in the late 1990s and coached them through Gotenburg. As previously noted, he also did well with Jamie Silverstein and others. He has several junior teams now, and may well coach more at the developmental level in the seasons ahead. One may post opinions about his personality -- I have found him to be understated and professional at practices and events -- and who did what to whom at Canton, but Shpilband's track record and ability is beyond question, as is Zoueva's.
Being a cloying Pollyanna, maybe this split will work out well in the end, and two impressive ice dance camps will be created where there once was one. Certainly there seems to be a lot of ice in the state of Michigan.
He had a Novice Team at that time- Shannon Wingle and Kurt Lingenfelter. I don't remember ever seeing him with multiple young teams (Juvenile/Intermediate). Novice is typically as low as he goes, skaters usually go to him after they've had some success at the lower levels. I can't think of one team he put together at the lower levels that gained success. He had Jamie/Justin and Shannon/ Kurt.
I think he started coaching Madison Chock when she was in Intermediate. When he started working with Charlotte Lichtman, she was at the Junior level, but she was new to ice dance.
Coated specialized in blade skills and compulsory dances. Shpliband's forte as a technical coach is point-getting elements, and until the judges scores reflect lack of line, toe-point, turnout, finish, unison, and ease of the blade, then the Shpilband brand of technique will be more important than the Coated brand of techniqu
"This, after all, is opera, opera in New York, not some dainty pastime like professional hockey..." -- Chip Brown, NYT Magazine 24 Mar 13
I mis-used the term "developmental" coach: I didn't mean teaching young children the basics but taking preteens and young teenagers and growing them up to the top senior level.
If he gets unhappy about skaters making the same mistakes, no wonder he becomes uninterested when they peak: incremental improvement at that level is difficult and takes a great deal of effort, plus any short-cuts or habits have to be undone, which at that level is a great risk.
"This, after all, is opera, opera in New York, not some dainty pastime like professional hockey..." -- Chip Brown, NYT Magazine 24 Mar 13
The problem with the Shibs isn't that they are siblings, or not being voidy enough or whatever, it's the simple fact that they don't generate the power per push of the blade that any other team in the top 10 can.
Yes, the lack of any original choreography doesn't help, but it doesn't really matter what style of program they do, it just won't have the same impact with their SS.
And the Kerrs were consistently overmarked if anything.![]()
From what I've seen of them live, boy Shib has as smooth and efficient blades as anyone competing now. Until I saw them live for the first time, at SA in Portland IIRC, I was meh about them from video and didn't understand what the hype was about.
"This, after all, is opera, opera in New York, not some dainty pastime like professional hockey..." -- Chip Brown, NYT Magazine 24 Mar 13
As others have noted, it's only limiting if you make it limiting. The Kerrs, in addition to being siblings, also have very little height difference between them and got into ice dance relatively late - yet they managed to come up with plenty of creative ideas for programs. Having interesting programs allowed them to succeed beyond what a team with their technical ability normally would have.
The problem is more that Marina and Igor couldn't really figure out what to do with a sibling team, and I hope the Shibs will eventually find someone who can.
My Life Would Suck Without FS-You