Didn't Gordeeva and Grinkov have a John Cage moment (partial 4' 33") at one of their earliest Senior Worlds?
Didn't Gordeeva and Grinkov have a John Cage moment (partial 4' 33") at one of their earliest Senior Worlds?
Yes, but iirc, for that one (1987 season) the referee purposely had the music cut off because Sergei Grinkov had costume malfunction that could possibly result in injury. The pair were supposed to stop skating.(That was the first season after they left Stanislav Zhuk.)
The Rodnina+Zaitsev 4'33" was apparently a new program given to them at 1973 Worlds by a worker at the arena in Bratislava.![]()
Rodnina & Zaitsev, in their first Worlds as a couple, skating to 4'33"
http://www.youtube.com/watch?v=o7BLM...tailpage#t=46s
Carolina Kostner 2011-2012 Short Program.. I loved the program and choreography and she has done very well with it and judges seem to like it as well. But when you actually listen to the music, its more just noise.
No it is not just noise. It is Shostokovich. Most people don't get it because they don't challenge themselves to listen to music outside of the mainstream, whether it be popular classics or commercial radio. I imagine as a musician it would be a very difficult piece to play but I would love to see a live performance of it.
What the hell is a Ninja Twizzle? Does it have anything to do with hard shelled aquatic life forms that live in the sewer?
I love Carolina's choice of Shostokovich. Such a gorgeous and texturally interesting piece. I hope she continues to use selections that are less mainstream. Like Red Violin, which got quite a few "what weird music" reactions when the program was first introduced, it isn't all "pretty" melodies.
I loved Brezina's Untouchables FS. Although that might be because I am extremely biased![]()
So far nothing has topped Joanna Ng's crazed exotic dancer for me, although the Night and Day Virgin polka deserves an honorable mention.
Whoever gave her that music is a genius.
Seriously one of the issues in skating is the lack of musical education. It is why we keep getting the same pieces again and again. However skating is a sport done to music and skaters and coaches really need to look outside what they know. The laziest thing a coach can do is just hand music down from one skater to another which you see year after year.
What the hell is a Ninja Twizzle? Does it have anything to do with hard shelled aquatic life forms that live in the sewer?
From interviews with Carolina, Lori apparently sent it to her in advance asking her to listen to it. At first, Caro found it odd but liked the idea of skating to it and thought it would be fun trying to choreograph a SP to this piece. When they started to work on choreography, all the little girls at the rink started dancing to the music instantly and then they both knew it was a good choice
I hope they come up with something different again next season, if Carolina decides to keep competing. She has had the best music choices out of all ladies over the past seasons.
Has no one mentioned Mysliveckova & Novak's FD to Variations on Finance & Slavery & Rabbits, some of the most questionable music ever
http://www.youtube.com/watch?v=3RWIIj21sbU
What the hell is a Ninja Twizzle? Does it have anything to do with hard shelled aquatic life forms that live in the sewer?
I hate uneven programs, but Gusmeroli's Legends of the Fall was such genius.
Totally agree! Although truth be told, I do adore horrendously unbalanced programs just for the geeky and math-like (to me) quirkiness of their structures. Vanessa's LOTF is probably what I view as the Holy Grail of unbalanced programs (all 6 triples before the 2:30 mark, and all 6 spins in the final 1:30), and -- as you and others have mentioned -- it legitimately still worked out beautifully.
Slightly OT, but other horribly front-loaded programs (jump-wise) that I've enjoyed are:
-- Sasha's Robin Lake (especially with the questionable lack of choreography)
-- Michelle's Red Violin
-- Shuzuka's 2004 Turandot
They could've gone so much further! Where were the matching His and Hers fuchsia feather boas? Or stylin' pimp hats? Or the dry humping choreography (like rabbits) at the boards in front of the camera/cameraman? They should've hired Olga Markova as a choreographic adviser for this program.