I have a question: Does Carroll have dartfish at his rink? If so, does he use it?
I have a question: Does Carroll have dartfish at his rink? If so, does he use it?
Actually I'm more curious on how this kind of technology fits in with general coaching overall. Say can a choreographer with Dartfish replace a general all around coach without such technology?
I find Mishin a very interesting man in that regard. He has invented a vest which will make a sound when the skaters pulls in for a jump, but they have to pull in tight enough, otherwise the vest won't sound.
I think this technology is really fascinating. I think if it can help correct poor technique that is a good thing.
What the hell is a Ninja Twizzle? Does it have anything to do with hard shelled aquatic life forms that live in the sewer?
I doubt it. I would think that at the highest elite levels, a skater would want not just a general all-around coach, but a good jumping coach, in addition to technological tools such as Dartfish.
However, I also wonder if an 'average' coach who understands, interprets and applies the technology really - not something that is so easy to do - will become a superior coach.
Was Kristy Krall known for coaching good jump technique in the past?
In the past, I know clubs/federations used to share expensive technological instruments across different sports.
For example: figure skating and gymnastics could share, since they would both benefit.
On countries as big as the US it would be much more practical to share between clubs than federations though.
Indeed, what captured my attention here is the "what if" part. Being able to run it on a computer is pretty amazing.
DartFish was definitely not doing it. It was mostly image playing (overlapping images, putting images next to each other, breaking images into following static pics, etc.).
Definitely not DartFish. DartFish makes it easier to see things, but it's your reasoning that has to notice them. If you don't know squat about jumping, DartFish is useless.
What I'm convinced though, it that a fresh eye with a very good sense for lines and elegance could spot the technical flaws simply because they usually aren't pleasant aesthetically.
Technical coaches often don't have what it takes.
Nor do choreographers, as "a good sense for lines" for a few static positions (basically what a jump can be bronken into) doesn't equal to devoloping a story on the music and fill the rink with it.
Ha, those things are ANNOYING!!! I was on a freestyle session a while back and could NOT for the life of me figure out what the intermittent beeping was--like one of those "low battery" beeps. It was the kid of our Russian skating director and her husband (the latter was coaching him).
I think quite some time ago the Uni of Poitiers did a similar test with Brian.
Have you seen the squeaky ball technique? Where a skater tucks a squeaky rubber ball on the front of their leg in their tights just above their boot. It makes a sound if the skater is bringing their feet together. We had a skater with a leg wrap who fixed up her technique using that as one of the methods.
What the hell is a Ninja Twizzle? Does it have anything to do with hard shelled aquatic life forms that live in the sewer?
Armin is using the analysis, I guess?
http://twitpic.com/51yppn
It is something that many people saw it but do not want to admit it?It was unmistakenly Disneyish, but was actually a pretty good movie.
I'm guessing a huge % of FSU has seen it.![]()